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Today's Stichomancy for Matt Damon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

wary of human beings, the little provincial trader, had himself become entangled in the first conspiracy attempted against the Bourbons after the Hundred Days. Gaudissart, to whom the open firmament of heaven was indispensable, found himself shut up in prison, under the weight of an accusation for a capital offence. Popinot the judge, who presided at the trial, released him on the ground that it was nothing worse than his imprudent folly which had mixed him up in the affair. A judge anxious to please the powers in office, or a rabid royalist, would have sent the luckless traveller to the scaffold. Gaudissart, who believed he owed his life to the judge, cherished the grief of being unable to make his savior any other return than that of sterile


Rise and Fall of Cesar Birotteau
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Straight Deal by Owen Wister:

England's.

"England has been a commercially unscrupulous nation for generations and it is idle to throw the blame for this or that act of a nation on an individual. Such arguments might be kept up indefinitely as regards an act of any country. A responsible nation must bear the praise or odium that attaches to any national action. If England has experienced a change of heart it has occurred since the days of the Boer Republic--as wanton a steal as Belgium, with even less excuse, and attended with sufficient brutality for all practical purposes....

"She has done us many an ill turn gratuitously and not a single good turn that was not dictated by selfish policy or jealousy of others. She has

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Tramp Abroad by Mark Twain:

They are all standing awry, so much awry that the chalets and cottages of the peasants seem to be tumbling down. It is the consequence of the steep inclination of the line. Those who are seated in the carriage do not observe that they are doing down a declivity of twenty to twenty-five degrees (their seats being adapted to this course of proceeding and being bent down at their backs). They mistake their carriage and its horizontal lines for a proper measure of the normal plain, and therefore all the objects outside which really are in a horizontal position must show a disproportion of twenty to twenty-five degrees declivity,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Island of Doctor Moreau by H. G. Wells:

the beach where the boats had been burnt, looking for nails and other stray pieces of metal that might prove of service. Now and then some Beast-creature would watch me, and go leaping off when I called to it. There came a season of thunder-storms and heavy rain, which greatly retarded my work; but at last the raft was completed.

I was delighted with it. But with a certain lack of practical sense which has always been my bane, I had made it a mile or more from the sea; and before I had dragged it down to the beach the thing had fallen to pieces. Perhaps it is as well that I was saved from launching it; but at the time my misery at my failure was so acute that for some


The Island of Doctor Moreau