| The first excerpt represents the past or something you must release, and is drawn from Lucile by Owen Meredith: And a heart's requiescat I write on that grave.
Hark! the sigh of the wind, and the sound of the wave,
Seem like voices of spirits that whisper me home!
I come, O you whispering voices, I come!
My friend, ask me nothing.
"Receive me alone
As a Santon receives to his dwelling of stone
In silence some pilgrim the midnight may bring:
It may be an angel that, weary of wing,
Hath paused in his flight from some city of doom,
Or only a wayfarer stray'd in the gloom.
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot: <>
<>
My body just before I disappeared
+---------+
|\ \ \ \ \|
|\ \ \ \ \|
|\ \ \ \ \|
Lineland ----> |\ \ \ \ \| The King
--------------------+---------+--------------========
When I had done this at great length, I cried triumphantly,
"Does that at last convince you?" And, with that, I once more
Flatland: A Romance of Many Dimensions |
The third excerpt represents the future or something you must embrace, and is drawn from The Alkahest by Honore de Balzac: he secured to her a negative fidelity; and she resolved to give him
back his independence by allowing one of those unspoken divorces which
make the happiness of many a marriage.
Before bidding farewell to conjugal life, Madame Claes made some
attempt to read her husband's heart, and found it closed. Little by
little, she saw him become indifferent to all that he had formerly
loved; he neglected his tulips, he cared no longer for his children.
There could be no doubt that he was given over to some passion that
was not of the heart, but which, to a woman's mind, is not less
withering. His love was dormant, not lost: this might be a
consolation, but the misfortune remained the same.
|
