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Today's Stichomancy for Michael Moore

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Yates Pride by Mary E. Wilkins Freeman:

you would not remember me at all. Queer how a man will grow stout. I am not such a big eater, either, and I have worked hard, and--well, I might have been worse off, but I must say I have seen men who seemed to me happier, though I have made the best of things. I always did despise a flunk. But you! I heard you had adopted a baby," he said, with a sudden glance at the blue and white bundle in the carriage, "and I thought you were mighty sensible. When people grow old they want young people growing around them, staffs for old age, you know, and all that sort of thing. Don't know but I should have adopted a boy myself if it hadn't been for --"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Several Works by Edgar Allan Poe:

upon the vaults. We are below the river's bed. The drops of moisture trickle among the bones. Come, we will go back ere it is too late. Your cough--"

"It is nothing," he said; "let us go on. But first, another draught of the Medoc."

I broke and reached him a flagon of De Grave. He emptied it at a breath. His eyes flashed with a fierce light. He laughed and threw the bottle upwards with a gesticulation I did not understand.

I looked at him in surprise. He repeated the movement--a grotesque one.

"You do not comprehend?" he said.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

work discounting the delightful future: his first appearance in the family pew; his first visit to his uncle Greig, who thought himself so great a financier, and on whose purblind Edinburgh eyes John was to let in the dazzling daylight of the West; and the details in general of that unrivalled transformation scene, in which he was to display to all Edinburgh a portly and successful gentleman in the shoes of the derided fugitive.

The time began to draw near when his father would have returned from the office, and it would be the prodigal's cue to enter. He strolled westward by Albany Street, facing the