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Today's Stichomancy for Michael Moore

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Altar of the Dead by Henry James:

"He was the friend of all my youth - of my early manhood. And YOU knew him?"

She coloured at this and for a moment her answer failed; her eyes embraced everything in the place, and a strange irony reached her lips as she echoed: "Knew him?"

Then Stransom understood, while the room heaved like the cabin of a ship, that its whole contents cried out with him, that it was a museum in his honour, that all her later years had been addressed to him and that the shrine he himself had reared had been passionately converted to this use. It was all for Acton Hague that she had kneeled every day at his altar. What need had there

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain:

music of the spheres to my enchanted ear. She got three dollars a week, but she was worth it.

I could not follow Alisande's further explanation of who our captured knights were, now -- I mean in case she should ever get to explaining who they were. My interest was gone, my thoughts were far away, and sad. By fitful glimpses of the drifting tale, caught here and there and now and then, I merely noted in a vague way that each of these three knights took one of these three damsels up behind him on his horse, and one rode north, another east, the other south, to seek adventures,


A Connecticut Yankee in King Arthur's Court
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Memories and Portraits by Robert Louis Stevenson:

with reproach as I pass them by on my shelves: books that I once thumbed and studied: houses which were once like home to me, but where I now rarely visit. I am on these sad terms (and blush to confess it) with Wordsworth, Horace, Burns and Hazlitt. Last of all, there is the class of book that has its hour of brilliancy - glows, sings, charms, and then fades again into insignificance until the fit return. Chief of those who thus smile and frown on me by turns, I must name Virgil and Herrick, who, were they but

"Their sometime selves the same throughout the year,"

must have stood in the first company with the six names of my continual literary intimates. To these six, incongruous as they

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs:

"I can only guess, Norman of Torn, because I have seen another whom you resemble."

The conversation was interrupted by a commotion from without; the sound of horses' hoofs, the cries of men and the clash of arms. In an instant both men were at the tiny unglazed window. Before them on the highroad five knights in armor were now engaged in furious battle with a party of ten or a dozen other steel- clad warriors, while crouching breathless on her palfry a young woman sat a little apart from the contestants.

Presently one of the knights detached himself from


The Outlaw of Torn