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Today's Stichomancy for Michael Moore

The first excerpt represents the past or something you must release, and is drawn from End of the Tether by Joseph Conrad:

of the office was suspended for the time he was in there, and everybody in the big room stood open-mouthed looking at his antics. Afterwards he could be seen during the hottest hours of the day with his face as red as fire rushing along up and down the quays to look at his ship from different points of view: he seemed inclined to stop every stranger he came across just to let them know "that there would be no longer anyone over him; he had bought a ship; nobody on earth could put him out of his engine-room now."

Good bargain as she was, the price of the Sofala took


End of the Tether
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Heritage of the Desert by Zane Grey:

the desert near at hand. Here and there life showed itself in a gaunt coyote sneaking into the cactus, or a horned toad huddling down in the dust, or a jewel-eyed lizard sunning himself upon a stone. It was only when his excited fancy had cooled that Hare came to look closely at Wolf. But for the dog's color he could not have been distinguished from a real wolf. His head and ears and tad; drooped, and he was lame in his right front paw.

Hare halted in the shade of a stone, dismounted and called the dog to him. Wolf returned without quickness, without eagerness, without any of the old-time friendliness of shepherding days. His eyes were sad and strange. Hare felt a sudden foreboding, but rejected it with passionate


The Heritage of the Desert
The third excerpt represents the future or something you must embrace, and is drawn from Confessio Amantis by John Gower:

For betre it were honour to winne Than love, which likinge is inne. Forthi tak worschipe upon honde, And elles thou schalt understonde 1870 These othre worthi kinges alle Of Grece, which unto thee calle, Towardes thee wol be riht wrothe, And grieve thee per chance bothe: Which schal be tothe double schame Most for the hindrynge of thi name, That thou for Slouthe of eny love


Confessio Amantis