The first excerpt represents the past or something you must release, and is drawn from End of the Tether by Joseph Conrad: of the office was suspended for the time he was in there,
and everybody in the big room stood open-mouthed
looking at his antics. Afterwards he could be seen
during the hottest hours of the day with his face as
red as fire rushing along up and down the quays to look
at his ship from different points of view: he seemed
inclined to stop every stranger he came across just to
let them know "that there would be no longer anyone
over him; he had bought a ship; nobody on earth could
put him out of his engine-room now."
Good bargain as she was, the price of the Sofala took
 End of the Tether |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Heritage of the Desert by Zane Grey: the desert near at hand. Here and there life showed itself in a gaunt
coyote sneaking into the cactus, or a horned toad huddling down in the
dust, or a jewel-eyed lizard sunning himself upon a stone. It was only
when his excited fancy had cooled that Hare came to look closely at Wolf.
But for the dog's color he could not have been distinguished from a real
wolf. His head and ears and tad; drooped, and he was lame in his right
front paw.
Hare halted in the shade of a stone, dismounted and called the dog to
him. Wolf returned without quickness, without eagerness, without any of
the old-time friendliness of shepherding days. His eyes were sad and
strange. Hare felt a sudden foreboding, but rejected it with passionate
 The Heritage of the Desert |
The third excerpt represents the future or something you must embrace, and is drawn from Confessio Amantis by John Gower: For betre it were honour to winne
Than love, which likinge is inne.
Forthi tak worschipe upon honde,
And elles thou schalt understonde 1870
These othre worthi kinges alle
Of Grece, which unto thee calle,
Towardes thee wol be riht wrothe,
And grieve thee per chance bothe:
Which schal be tothe double schame
Most for the hindrynge of thi name,
That thou for Slouthe of eny love
 Confessio Amantis |