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Today's Stichomancy for Michael Moore

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Master Key by L. Frank Baum:

extent of playing a game of carom with Nell; but he grew so nervous and impatient at last that his sister gave up the game in disgust and left him to his own amusement.

At one time he thought of putting on the electric spectacles and seeing what the real character of each member of his family might be; but a sudden fear took possession of him that he might regret the act forever afterward. They were his nearest and dearest friends on earth, and in his boyish heart he loved them all and believed in their goodness and sincerity. The possibility of finding a bad character mark on any of their familiar faces made him shudder, and he determined then and there never to use the spectacles to view the


The Master Key
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pathology of Lying, Etc. by William and Mary Healy:

kicked the dog and I told him not to do it and he says, `You're a liar,' and then he ran down stairs and pushed me along the stones over there. I called the police and they did not come for about three quarters of an hour.

``I'm studying law. Taking a correspondence course. They give you an L.L.B. It's a two years work and you get all the volumes separately,'' etc. ``Then we have a slander suit. A neighbor called my sister dirty names. I am going to file a $5000 slander suit. I would not let that man call names like that, and then he's got about $5000 in property.

``Some people are down on me, but I tell you I have been a leader

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

Its power of illumination was such that it tried my eyes. I closed them to recall the outlines of the School of Art--it had been built in a fit of economy--and the headings of the last Director's report, which I had kindly sent after Armour to Calcutta. Perhaps that had been the last straw.

The real meaning of the task of implanting Western ideals in the Eastern mind rose before me when I thought of Armour's doing it--how they would dwindle in the process, and how he must go on handling them and looking at them withered and shrunken for twenty-odd years. I understood--there was enough left in me to understand--Armour's terrified escape. I was happy in the thought of him, sailing down

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Juana by Honore de Balzac:

and pressing her to his heart, "yes. But let me speak to you as you speak to God. Are you not as beautiful as Mary in heaven? Listen. I swear to you," he continued, kissing her hair, "I swear to take that forehead for my altar, to make you my idol, to lay at your feet all the luxuries of the world. For you, my palace at Milan; for you my horses, my jewels, the diamonds of my ancient family; for you, each day, fresh jewels, a thousand pleasures, and all the joys of earth!"

"Yes," she said reflectively, "I would like that; but I feel within my soul that I would like better than all the world my husband. Mio caro sposo!" she said, as if it were impossible to give in any other language the infinite tenderness, the loving elegance with which the