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Today's Stichomancy for Mike Myers

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Adventures of Sherlock Holmes by Arthur Conan Doyle:

someone at the pool, and that the someone could not have been his son, for his son was away, and he did not know when he would return. The second is that the murdered man was heard to cry 'Cooee!' before he knew that his son had returned. Those are the crucial points upon which the case depends. And now let us talk about George Meredith, if you please, and we shall leave all minor matters until to-morrow."

There was no rain, as Holmes had foretold, and the morning broke bright and cloudless. At nine o'clock Lestrade called for us with the carriage, and we set off for Hatherley Farm and the Boscombe Pool.


The Adventures of Sherlock Holmes
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tapestried Chamber by Walter Scott:

features, though Inferior in demoniac expression to the accursed hag who visited me last night!"

"If that be the case," said the young nobleman, "there can remain no longer any doubt of the horrible reality of your apparition. That is the picture of a wretched ancestress of mine, of whose crimes a black and fearful catalogue is recorded in a family history in my charter-chest. The recital of them would be too horrible; it is enough to say, that in yon fatal apartment incest and unnatural murder were committed. I will restore it to the solitude to which the better judgment of those who preceded me had consigned it; and never shall any one, so long as I can

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

"Don't mention it," he enjoined me eagerly. "Don't give it another thought, old sport." The familiar expression held no more familiarity than the hand which reassuringly brushed my shoulder. "And don't forget we're going up in the hydroplane to-morrow morning, at nine o'clock."

Then the butler, behind his shoulder: "Philadelphia wants you on the 'phone, sir."

"All right, in a minute. Tell them I'll be right there. . . . good night."

"Good night."

"Good night." He smiled--and suddenly there seemed to be a pleasant significance in having been among the last to go, as if he had desired


The Great Gatsby