The first excerpt represents the past or something you must release, and is drawn from The Magic of Oz by L. Frank Baum: longer cross and disagreeable. The people thought him a very
respectable person and gave him breakfast next morning, after which he
started on his way feeling quite contented.
Having walked for an hour or two through the pretty country that is
ruled by King Bud, Kiki Aru decided he could travel faster and see
more as a bird, so he transformed himself into a white dove and
visited the great city of Nole and saw the King's palace and gardens
and many other places of interest. Then he flew westward into the
Kingdom of Ix, and after a day in Queen Zixi's country went on
westward into the Land of Ev. Every place he visited he thought was
much more pleasant than the saucer-country of the Hyups, and he
 The Magic of Oz |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from On Revenues by Xenophon: distant, I take it, a good deal over sixty miles;[59] and the next
closest, Thebes, a good deal nearer seventy.[60] Supposing then an
enemy to advance from some such point to attack the mines, he cannot
avoid passing Athens; and presuming his force to be small, we may
expect him to be annihilated by our cavalry and frontier police.[61] I
say, presuming his force to be small, since to march with anything
like a large force, and thereby leave his own territory denuded of
troops, would be a startling achievement. Why, the fortified city of
Athens will be much closer the states of the attacking parties than
they themselves will be by the time they have got to the mines. But,
for the sake of argument, let us suppose an enemy to have arrived in
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The third excerpt represents the future or something you must embrace, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer: The Surrey shore was a broken wall of blackness, patched with
lights about which moved hazy suggestions of human activity.
The bank we were following offered a prospect even more gloomy--
a dense, dark mass, amid which, sometimes, mysterious half-tones
told of a dock gate, or sudden high lights leapt flaring
to the eye.
Then, out of the mystery ahead, a green light grew and crept down upon us.
A giant shape loomed up, and frowned crushingly upon the little craft.
A blaze of light, the jangle of a bell, and it was past. We were dancing
in the wash of one of the Scotch steamers, and the murk had fallen again.
Discords of remote activity rose above the more intimate
 The Insidious Dr. Fu-Manchu |