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Today's Stichomancy for Mitt Romney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Several Works by Edgar Allan Poe:

walls, falling in heavy folds upon a carpet of the same material and hue. But in this chamber only, the colour of the windows failed to correspond with the decorations. The panes here were scarlet--a deep blood colour. Now in no one of the seven apartments was there any lamp or candelabrum, amid the profusion of golden ornaments that lay scattered to and fro or depended from the roof. There was no light of any kind emanating from lamp or candle within the suite of chambers. But in the corridors that followed the suite, there stood, opposite to each window, a heavy tripod, bearing a brazier of fire, that projected its rays through the tinted glass and so glaringly illumined the room. And thus were

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

has only the faults that will pass off with time, and the virtues that will improve with age, I hope you'll forgive him.

HARDCASTLE. The girl would actually make one run mad! I tell you, I'll not be convinced. I am convinced. He has scarce been three hours in the house, and he has already encroached on all my prerogatives. You may like his impudence, and call it modesty; but my son-in-law, madam, must have very different qualifications.

MISS HARDCASTLE. Sir, I ask but this night to convince you.

HARDCASTLE. You shall not have half the time, for I have thoughts of turning him out this very hour.

MISS HARDCASTLE. Give me that hour then, and I hope to satisfy you.


She Stoops to Conquer
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Fables by Robert Louis Stevenson:

things had been done there in the ancient ages. Now the King's daughter was aware of a crone that sat upon the beach. The sea foam ran to her feet, and the dead leaves swarmed about her back, and the rags blew about her face in the blowing of the wind.

"Now," said the King's daughter, and she named a holy name, "this is the most unhappy old crone between two seas."

"Daughter of a King," said the crone, "you dwell in a stone house, and your hair is like the gold: but what is your profit? Life is not long, nor lives strong; and you live after the way of simple men, and have no thought for the morrow and no power upon the hour."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

the second connecting religion with the changes of the season, on the Earth and with such practical things as the growth of vegetation and food, and leading to or mingled with a vague belief in earth-spirits and magical methods of influencing such spirits; and the third connecting religion with man's own body and the tremendous force of sex residing in it--emblem of undying life and all fertility and power. It is clear also--and all investigation confirms it--that the second-mentioned phase of religion arose on the whole BEFORE the first-mentioned--that is, that men naturally thought about the very practical questions


Pagan and Christian Creeds