The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Garden Party by Katherine Mansfield: Hammond started up. "I'll come with you."
"No, no!" she said. "Don't bother. I'd rather not. I'll not be a
minute."
And before he could answer she was gone. He had half a mind to run after
her; but instead he sat down again.
Would she really not be long? What was the time now? Out came the watch;
he stared at nothing. That was rather queer of Janey, wasn't it? Why
couldn't she have told the stewardess to say good-bye for her? Why did she
have to go chasing after the ship's doctor? She could have sent a note
from the hotel even if the affair had been urgent. Urgent? Did it--could
it mean that she had been ill on the voyage--she was keeping something from
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Padre Ignacio by Owen Wister: of candles, fresh-cut flowers leaned from vessels of old Mexican and
Spanish make.
There at one end of this feast sat the wild, pastoral, gaudy company,
speaking little over their food; and there at the other the pale Padre,
questioning his visitor about Rachel. The mere name of a street would
bring memories crowding to his lips; and when his guest told him of a new
play he was ready with old quotations from the same author. Alfred de
Vigny they spoke of, and Victor Hugo, whom the Padre disliked. Long after
the dulce, or sweet dish, when it was the custom for the vaqueros and the
rest of the retainers to rise and leave the gente fina to themselves, the
host sat on in the empty hail, fondly talking to his guest of his bygone
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