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Today's Stichomancy for Monica Potter

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Bickerstaff-Partridge Papers by Jonathan Swift:

Alter erit jam Tethys, & altera quae vehat Argo. Delectos heroas.

Upon the 25th day of this month, the fulfilling of this prediction will be manifest to every body.

This is the farthest I have proceeded in my calculations for the present year. I do not pretend, that these are all the great events which will happen in this period, but that those I have set down will infallibly come to pass. It will perhaps still be objected, why I have not spoke more particularly of affairs at home, or of the success of our armies abroad, which I might, and could very largely have done; but those in power have wisely

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adam Bede by George Eliot:

slackness in the minor morals, for Bessy belonged unquestionably to that unsoaped lazy class of feminine characters with whom you may venture to "eat an egg, an apple, or a nut." All this she was generally conscious of, and hitherto had not been greatly ashamed of it. But now she began to feel very much as if the constable had come to take her up and carry her before the justice for some undefined offence. She had a terrified sense that God, whom she had always thought of as very far off, was very near to her, and that Jesus was close by looking at her, though she could not see him. For Dinah had that belief in visible manifestations of Jesus, which is common among the Methodists, and she communicated


Adam Bede
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Garden Party by Katherine Mansfield:

Hammond started up. "I'll come with you."

"No, no!" she said. "Don't bother. I'd rather not. I'll not be a minute."

And before he could answer she was gone. He had half a mind to run after her; but instead he sat down again.

Would she really not be long? What was the time now? Out came the watch; he stared at nothing. That was rather queer of Janey, wasn't it? Why couldn't she have told the stewardess to say good-bye for her? Why did she have to go chasing after the ship's doctor? She could have sent a note from the hotel even if the affair had been urgent. Urgent? Did it--could it mean that she had been ill on the voyage--she was keeping something from

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Padre Ignacio by Owen Wister:

of candles, fresh-cut flowers leaned from vessels of old Mexican and Spanish make.

There at one end of this feast sat the wild, pastoral, gaudy company, speaking little over their food; and there at the other the pale Padre, questioning his visitor about Rachel. The mere name of a street would bring memories crowding to his lips; and when his guest told him of a new play he was ready with old quotations from the same author. Alfred de Vigny they spoke of, and Victor Hugo, whom the Padre disliked. Long after the dulce, or sweet dish, when it was the custom for the vaqueros and the rest of the retainers to rise and leave the gente fina to themselves, the host sat on in the empty hail, fondly talking to his guest of his bygone