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Today's Stichomancy for Muhammad Ali

The first excerpt represents the past or something you must release, and is drawn from Robinson Crusoe by Daniel Defoe:

savage, Friday's father, out as a spy, to learn, if possible, something concerning them, as what they came for, what they intended to do, and the like. The old man readily undertook it; and stripping himself quite naked, as most of the savages were, away he went. After he had been gone an hour or two, he brings word that he had been among them undiscovered, that he found they were two parties, and of two several nations, who had war with one another, and had a great battle in their own country; and that both sides having had several prisoners taken in the fight, they were, by mere chance, landed all on the same island, for the devouring their prisoners and making merry; but their coming so by chance to


Robinson Crusoe
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Master Key by L. Frank Baum:

occasions. Never allow revenge or animosity to influence your conduct. Men may threaten, but they can not injure you, so you must remember that they do not possess your mighty advantages, and that, because of your strength, you should bear with them patiently."

Rob examined the garment with much curiosity. It glittered like silver, yet was soft and pliable as lamb's wool. Evidently the Demon had prepared it especially for his use, for it was just Rob's size.

"Now," continued the Demon, more gravely, "we approach the subject of an electrical device so truly marvelous that even I am awed when I contemplate the accuracy and perfection of the natural laws which guide it and permit it to exercise its functions. Mankind has as yet


The Master Key
The third excerpt represents the future or something you must embrace, and is drawn from The Reef by Edith Wharton:

"Good-bye," she said, in dread lest he should read her face; and she stood motionless, her head high, while he walked to the door and went out.

BOOK V

XXX

Anna Leath, three days later, sat in Miss Painter's drawing- room in the rue de Matignon.

Coming up precipitately that morning from the country, she had reached Paris at one o'clock and Miss Painter's landing some ten minutes later. Miss Painter's mouldy little man- servant, dissembling a napkin under his arm, had mildly