Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Naomi Campbell

The first excerpt represents the past or something you must release, and is drawn from The Hated Son by Honore de Balzac:

happen to you in the castle; but we must be prudent; to see her you will have to pass through the room of Monseigneur the duke, the room where you were born."

These words brought the tears to Etienne's eyes, and he said:--

"The Ocean DID speak to me!"

Mechanically he allowed himself to be led towards the door of the tower which gave entrance to the private way leading to the duchess's room. Bertrand was awaiting him, lantern in hand. Etienne reached the library of the Cardinal d'Herouville, and there he was made to wait with Beauvouloir while Bertrand went on to unlock the other doors, and make sure that the hated son could pass through his father's house

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Rescue by Joseph Conrad:

said Mrs. Travers.

"Will your eyes never be opened?" Mr. Travers began, irritably, then gave it up. "Well, so much the better then. I give you a free hand."

"What made you change your attitude like this?" asked Mrs. Travers, suspiciously.

"My regard for you," he answered without hesitation.

"I intended to join you in your captivity. I was just trying to persuade him. . . ."

"I forbid you absolutely," whispered Mr. Travers, forcibly. "I am glad to get away. I don't want to see you again till your craze


The Rescue
The third excerpt represents the future or something you must embrace, and is drawn from Essays of Francis Bacon by Francis Bacon:

express; no, nor the first sight of the life. There is no excellent beauty, that hath not some strangeness in the proportion. A man cannot tell whether Apelles, or Albert Durer, were the more trifler; whereof the one, would make a personage by geo- metrical proportions; the other, by taking the best parts out of divers faces, to make one excellent. Such personages, I think, would please nobody, but the painter that made them. Not but I think a painter may make a better face than ever was; but he must do it by a kind of felicity (as a musician


Essays of Francis Bacon