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Today's Stichomancy for Naomi Campbell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Louis Lambert by Honore de Balzac:

His considerations on the substance of the mind led to his accepting, with a certain pride, the life of privation to which we were condemned in consequence of our idleness and our indifference to learning. He had a certain consciousness of his own powers which bore him up through his spiritual cogitations. How delightful it was to me to feel his soul acting on my own! Many a time have we remained sitting on our form, both buried in one book, having quite forgotten each other's existence, and yet not apart; each conscious of the other's presence, and bathing in an ocean of thought, like two fish swimming in the same waters.

Our life, apparently, was merely vegetating; but we lived through our


Louis Lambert
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wrecker by Stevenson & Osbourne:

I got you ranked a creditor on the estate for your wages and the money you had lent. And----"

I believe I reeled. "A creditor!" I roared; "a creditor! I'm not in the bankruptcy at all?"

"No," said Jim. "I know it was a liberty----"

"O, damn your liberty! read that," I cried, dashing the letter before him on the table, "and call in your wife, and be done with eating this truck "--as I spoke, I slung the cold mutton in the empty grate--"and let's all go and have a champagne supper. I've dined--I'm sure I don't remember what I had; I'd dine again ten scores of times upon a night like this. Read it,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A House of Pomegranates by Oscar Wilde:

in green bronze held a polished mirror above its head. On the table stood a flat bowl of amethyst.

Outside he could see the huge dome of the cathedral, looming like a bubble over the shadowy houses, and the weary sentinels pacing up and down on the misty terrace by the river. Far away, in an orchard, a nightingale was singing. A faint perfume of jasmine came through the open window. He brushed his brown curls back from his forehead, and taking up a lute, let his fingers stray across the cords. His heavy eyelids drooped, and a strange languor came over him. Never before had he felt so keenly, or with such exquisite joy, the magic and the mystery of beautiful things.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Father Damien by Robert Louis Stevenson:

of the visitor's surroundings, and the atmosphere of affliction, disease, and physical disgrace in which he breathes. I do not think I am a man more than usually timid; but I never recall the days and nights I spent upon that island promontory (eight days and seven nights), without heartfelt thankfulness that I am somewhere else. I find in my diary that I speak of my stay as a "grinding experience": I have once jotted in the margin, "HARROWING is the word"; and when the MOKOLII bore me at last towards the outer world, I kept repeating to myself, with a new conception of their pregnancy, those simple words of the song -

" 'Tis the most distressful country that ever yet was seen."