| The first excerpt represents the past or something you must release, and is drawn from The Merry Adventures of Robin Hood by Howard Pyle: but I know not what thou meanest by such jargon, brother. It were much
more seemly, methinks, if yon Dumb man, who hath a sweet voice, would give
us a song."
At these words a silence fell on all, and after a while the Blind
man spoke again. Quoth he, "Thou dost surely jest when thou
sayest that thou dost not understand such words. Answer me this:
Hast thou ever fibbed a chouse quarrons in the Rome pad for the loure
in his bung?"[4]
[4] I.E., in old beggar's cant, "beaten a man or gallant upon the highway
for the money in his purse." Dakkar's ENGLISH VILLAINIES.
"Now out upon it," quoth Robin Hood testily, "an ye make sport of me
 The Merry Adventures of Robin Hood |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Iron Puddler by James J. Davis: who are trying to reshape the world to fit their own weakness. I
never knew a theorist who wasn't a sick man.
To-day we understand that we can't run a motor-car after the
gasoline is played out. The burning of the oil in the engine
gives the power. The burning of fats in the muscles gives the
laborer his power. Sugar and starches are the next best things to
fat, and that's why we could eat the thick slabs of sweet pie. We
relished it well and have burned it all up in our labor in the
mills. We came out with that healthy sparkle that dyspeptics
never know.
When we realized that the reformer didn't know what he was
|
The third excerpt represents the future or something you must embrace, and is drawn from The Son of Tarzan by Edgar Rice Burroughs: and left the tent. Jenssen turned to Meriem.
"If he bothers you again, call me," he said. "I shall always
be near."
The girl had not understood the conversation that had been
carried on by her two owners, for it had been in Swedish; but
what Jenssen had just said to her in Arabic she understood and
from it grasped an excellent idea of what had passed between
the two. The expressions upon their faces, their gestures,
and Jenssen's final tapping of his revolver before Malbihn
had left the tent had all been eloquent of the seriousness of
their altercation. Now, toward Jenssen she looked for friendship,
 The Son of Tarzan |