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Today's Stichomancy for Natalie Portman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Start in Life by Honore de Balzac:

the Abbe Gaudron, vicar of Saint-Paul's, who led her into the practice of devotion. But so ill-used and loving a soul as that of Madame Clapart's could never be anything but simply pious. The Aspasia of the Directory wanted to expiate her sins in order to draw down the blessing of God on the head of her poor Oscar, and she henceforth vowed herself to works and deeds of the purest piety. She believed she had won the attention of heaven when she saved the life of Monsieur Clapart, who, thanks to her devotion, lived on to torture her; but she chose to see, in the tyranny of that imbecile mind, a trial inflicted by the hand of one who loveth while he chasteneth.

Oscar, meantime, behaved so well that in 1830 he was first sergeant of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

without happiness. When he has given him this terrible training, he abandons him, and goes to the bridal feast of his daughter Sieglinda and Hunding. In the blue cloak of the wanderer, wearing the broad hat that flaps over the socket of his forfeited eye, he appears in Hunding's house, the middle pillar of which is a mighty tree. Into that tree, without a word, he strikes a sword up to the hilt, so that only the might of a hero can withdraw it. Then he goes out as silently as he came, blind to the truth that no weapon from the armory of Godhead can serve the turn of the true Human Hero. Neither Hunding nor any of his guests can move the sword; and there it stays awaiting the destined hand.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Altar of the Dead by Henry James:

with their long community of service in their eyes. This short passage made, to his sense, for the woman before him, an immense, an absolutely naked confession; which was presently, suddenly blushing red and changing her place again, what she appeared to learn he perceived in it. He got up and "How you must have loved him!" he cried.

"Women aren't like men. They can love even where they've suffered."

"Women are wonderful," said Stransom. "But I assure you I've forgiven him too."

"If I had known of anything so strange I wouldn't have brought you

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Battle of the Books by Jonathan Swift:

the hill Parnassus; the highest and largest of which had, it seems, been time out of mind in quiet possession of certain tenants, called the Ancients; and the other was held by the Moderns. But these disliking their present station, sent certain ambassadors to the Ancients, complaining of a great nuisance; how the height of that part of Parnassus quite spoiled the prospect of theirs, especially towards the east; and therefore, to avoid a war, offered them the choice of this alternative, either that the Ancients would please to remove themselves and their effects down to the lower summit, which the Moderns would graciously surrender to them, and advance into their place; or else the said Ancients will give leave