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Today's Stichomancy for Natalie Portman

The first excerpt represents the past or something you must release, and is drawn from Essays & Lectures by Oscar Wilde:

points out that those phenomena particularly are to be dwelt on which may serve as a [Greek text which cannot be reproduced] or sample, and show the character of the tendencies of the age as clearly as 'a single drop from a full cask will be enough to disclose the nature of the whole contents.' This recognition of the importance of single facts, not in themselves but because of the spirit they represent, is extremely scientific; for we know that from the single bone, or tooth even, the anatomist can recreate entirely the skeleton of the primeval horse, and the botanist tell the character of the flora and fauna of a district from a single specimen.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Twenty Years After by Alexandre Dumas:

Aramis opened the paper, and in a voice trembling with hate and vengeance read "D'Artagnan."

The Gascon uttered a cry of joy and turning to Mordaunt:

"I hope, sir," said he, "you have no objection to make."

"None, whatever," replied the other, drawing his sword and resting the point on his boot.

The moment that D'Artagnan saw that his wish was accomplished and his man would not escape him, he recovered his usual tranquillity. He turned up his cuffs neatly and rubbed the sole of his right boot on the floor, but did not fail, however, to remark that Mordaunt was looking about him


Twenty Years After
The third excerpt represents the future or something you must embrace, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

their surface, precisely by that which makes others heavy--by hatred and love.

91. So cold, so icy, that one burns one's finger at the touch of him! Every hand that lays hold of him shrinks back!--And for that very reason many think him red-hot.

92. Who has not, at one time or another--sacrificed himself for the sake of his good name?

93. In affability there is no hatred of men, but precisely on that account a great deal too much contempt of men.

94. The maturity of man--that means, to have reacquired the seriousness that one had as a child at play.


Beyond Good and Evil