| The first excerpt represents the past or something you must release, and is drawn from Merry Men by Robert Louis Stevenson: in the gorge of the river, but scattered and sounding gaily and
musically from glen to glen. Here, too, the spirits of my driver
mended, and he began to sing aloud in a falsetto voice, and with a
singular bluntness of musical perception, never true either to
melody or key, but wandering at will, and yet somehow with an
effect that was natural and pleasing, like that of the of birds.
As the dusk increased, I fell more and more under the spell of this
artless warbling, listening and waiting for some articulate air,
and still disappointed; and when at last I asked him what it was he
sang - 'O,' cried he, 'I am just singing!' Above all, I was taken
with a trick he had of unweariedly repeating the same note at
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Jolly Corner by Henry James: insanely fatally take his way to the street. The hideous chance of
this he at least could avert; but he could only avert it by
recoiling in time from assurance. He had the whole house to deal
with, this fact was still there; only he now knew that uncertainty
alone could start him. He stole back from where he had checked
himself - merely to do so was suddenly like safety - and, making
blindly for the greater staircase, left gaping rooms and sounding
passages behind. Here was the top of the stairs, with a fine large
dim descent and three spacious landings to mark off. His instinct
was all for mildness, but his feet were harsh on the floors, and,
strangely, when he had in a couple of minutes become aware of this,
|
The third excerpt represents the future or something you must embrace, and is drawn from The Door in the Wall, et. al. by H. G. Wells: he had stumbled across the bridge, clambered a little way among the
rocks, to the surprise and dismay of a young llama, who went
leaping out of sight, and lay down sobbing for breath.
And so his coup d'etat came to an end.
He stayed outside the wall of the valley of the blind for two
nights and days without food or shelter, and meditated upon the
Unexpected. During these meditations he repeated very frequently
and always with a profounder note of derision the exploded proverb:
"In the Country of the Blind the One-Eyed Man is King." He thought
chiefly of ways of fighting and conquering these people, and it
grew clear that for him no practicable way was possible. He had no
|