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Today's Stichomancy for Neal Stephenson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from House of Mirth by Edith Wharton:

from restaurant to concert-hall, from palm-garden to music-room, from "art exhibit" to dress-maker's opening. High-stepping horses or elaborately equipped motors waited to carry these ladies into vague metropolitan distances, whence they returned, still more wan from the weight of their sables, to be sucked back into the stifling inertia of the hotel routine. Somewhere behind them, in the background of their lives, there was doubtless a real past, peopled by real human activities: they themselves were probably the product of strong ambitions, persistent energies, diversified contacts with the wholesome roughness of life; yet they had no more real existence than the poet's shades in limbo.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Breaking Point by Mary Roberts Rinehart:

they had come to the end of the road indeed.

"What's the next step?" he asked bluntly.

"I'll have to leave here. It's too expensive."

"And after that, what?"

"I'll get a job. I suppose a man is as well hidden here as anywhere. I can grow a beard-that's the usual thing, isn't it?"

Bassett made an impatient gesture, and fell to pacing the floor. "It's incredible," he said. "It's monstrous. It's a joke. Here you are, without a thing against you, and hung like Mahomet's coffin between heaven and earth. It makes me sick."

He went home that night, leaving word to have any letters for L 22


The Breaking Point
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moran of the Lady Letty by Frank Norris:

'95, when we beat Harvard," answered Wilbur.

Kitchell gazed doubtfully at the first few strokes, then with growing interest watched the tremendous reach, the powerful knee- drive, the swing, the easy catch, and the perfect recover. The dory was cutting the water like a gasoline launch, and between strokes there was the least possible diminishing of the speed.

"I'm a bit out of form just now," remarked Wilbur, "and I'm used to the sliding seat; but I guess it'll do." Kitchell glanced at the human machine that once was No. 5 in the Yale boat and then at the water hissing from the dory's bows. "My Gawd!" he said, under his breath. He spat over the bows and sucked the nicotine from

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gone With the Wind by Margaret Mitchell:

themselves or to the South. They still think, in spite of everything, that nothing really dreadful can happen to any of them because they are who they are, O'Haras, Wilkeses, Hamiltons. Even the darkies feel that way. Oh, they're all fools! They'll never realize! They'll go right on thinking and living as they always have, and nothing will change them. Melly can dress in rags and pick cotton and even help me murder a man but it doesn't change her. She's still the shy well-bred Mrs. Wilkes, the perfect lady! And Ashley can see death and war and be wounded and lie in jail and come home to less than nothing and still be the same gentleman he was when he had all Twelve Oaks behind him. Will is different. He


Gone With the Wind