| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Duchesse de Langeais by Honore de Balzac: in her swift, incessant changes of attitude. She seemed as if
she surely would be a most delicious mistress when her corset and
the encumbering costume of her part were laid aside. All the
rapture of love surely was latent in the freedom of her
expressive glances, in her caressing tones, in the charm of her
words. She gave glimpses of the high-born courtesan within her,
vainly protesting against the creeds of the duchess.
You might sit near her through an evening, she would be gay and
melancholy in turn, and her gaiety, like her sadness, seemed
spontaneous. She could be gracious, disdainful, insolent, or
confiding at will. Her apparent good nature was real; she had no
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lily of the Valley by Honore de Balzac: a certain bitterness underlying my companion's speech.
Though I was too inexpert in social matters to understand its cause, I
was much struck by the feeling Monsieur de Chessel betrayed. His real
name was Durand, but he had had the weakness to discard the name of a
worthy father, a merchant who had made a large fortune under the
Revolution. His wife was sole heiress of the Chessels, an old
parliamentary family under Henry IV., belonging to the middle classes,
as did most of the Parisian magistrates. Ambitious of higher flights
Monsieur de Chessel endeavored to smother the original Durand. He
first called himself Durand de Chessel, then D. de Chessel, and that
made him Monsieur de Chessel. Under the Restoration he entailed an
 The Lily of the Valley |