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Today's Stichomancy for Neil Gaiman

The first excerpt represents the past or something you must release, and is drawn from Sesame and Lilies by John Ruskin:

chameleon cloaks--"ground-lion" cloaks, of the colour of the ground of any man's fancy: on that ground they lie in wait, and rend them with a spring from it. There never were creatures of prey so mischievous, never diplomatists so cunning, never poisoners so deadly, as these masked words; they are the unjust stewards of all men's ideas: whatever fancy or favourite instinct a man most cherishes, he gives to his favourite masked word to take care of for him; the word at last comes to have an infinite power over him,--you cannot get at him but by its ministry.

And in languages so mongrel in breed as the English, there is a fatal power of equivocation put into men's hands, almost whether

The second excerpt represents the present or the deciding factor of the moment, and is drawn from King James Bible:

door of the tabernacle of the tent of the congregation.

EXO 40:7 And thou shalt set the laver between the tent of the congregation and the altar, and shalt put water therein.

EXO 40:8 And thou shalt set up the court round about, and hang up the hanging at the court gate.

EXO 40:9 And thou shalt take the anointing oil, and anoint the tabernacle, and all that is therein, and shalt hallow it, and all the vessels thereof: and it shall be holy.

EXO 40:10 And thou shalt anoint the altar of the burnt offering, and all his vessels, and sanctify the altar: and it shall be an altar most holy.


King James Bible
The third excerpt represents the future or something you must embrace, and is drawn from Massimilla Doni by Honore de Balzac:

All Egypt appeals to Moses for help."

The Duchess had taken advantage of the pause for the entrance of Moses and Aaron to give this interpretation of that fine introduction.

"Let them weep!" she added passionately. "They have done much ill. Expiate your sins, Egyptians, expiate the crimes of your maddened Court! With what amazing skill has this great painter made use of all the gloomy tones of music, of all that is saddest on the musical palette! What creepy darkness! what a mist! Is not your very spirit in mourning? Are you not convinced of the reality of the blackness that lies over the land? Do you not feel that Nature is wrapped in the deepest shades? There are no palm-trees, no Egyptian palaces, no