| The first excerpt represents the past or something you must release, and is drawn from Sesame and Lilies by John Ruskin: chameleon cloaks--"ground-lion" cloaks, of the colour of the ground
of any man's fancy: on that ground they lie in wait, and rend them
with a spring from it. There never were creatures of prey so
mischievous, never diplomatists so cunning, never poisoners so
deadly, as these masked words; they are the unjust stewards of all
men's ideas: whatever fancy or favourite instinct a man most
cherishes, he gives to his favourite masked word to take care of for
him; the word at last comes to have an infinite power over him,--you
cannot get at him but by its ministry.
And in languages so mongrel in breed as the English, there is a
fatal power of equivocation put into men's hands, almost whether
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from King James Bible: door of the tabernacle of the tent of the congregation.
EXO 40:7 And thou shalt set the laver between the tent of the
congregation and the altar, and shalt put water therein.
EXO 40:8 And thou shalt set up the court round about, and hang up the
hanging at the court gate.
EXO 40:9 And thou shalt take the anointing oil, and anoint the
tabernacle, and all that is therein, and shalt hallow it, and all the
vessels thereof: and it shall be holy.
EXO 40:10 And thou shalt anoint the altar of the burnt offering, and
all his vessels, and sanctify the altar: and it shall be an altar most
holy.
 King James Bible |
The third excerpt represents the future or something you must embrace, and is drawn from Massimilla Doni by Honore de Balzac: All Egypt appeals to Moses for help."
The Duchess had taken advantage of the pause for the entrance of Moses
and Aaron to give this interpretation of that fine introduction.
"Let them weep!" she added passionately. "They have done much ill.
Expiate your sins, Egyptians, expiate the crimes of your maddened
Court! With what amazing skill has this great painter made use of all
the gloomy tones of music, of all that is saddest on the musical
palette! What creepy darkness! what a mist! Is not your very spirit in
mourning? Are you not convinced of the reality of the blackness that
lies over the land? Do you not feel that Nature is wrapped in the
deepest shades? There are no palm-trees, no Egyptian palaces, no
|