Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Nellie McKay

The first excerpt represents the past or something you must release, and is drawn from A Heap O' Livin' by Edgar A. Guest:

Life is a challenge to the bold, It flings its gauntlet down And bids us, if we seek for gold And glory and renown, To come and _take_ them from its store, It will not meekly hand them o'er.

Life is a challenge all must meet, And nobly must we dare; Its gold is tawdry when we cheat, Its fame a bitter snare If it be stolen from life's clutch;


A Heap O' Livin'
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Gentle Grafter by O. Henry:

"We went inside. The room looked like a Broadway stockbroker's--light oak desks, two 'phones, Spanish leather upholstered chairs and couches, oil paintings in gilt frames a foot deep and a ticker hitting off the news in one corner.

"'Hello, hello!' says this funny farmer. 'Is that the Regent Theatre? Yes; this is Plunkett, of Woodbine Centre. Reserve four orchestra seats for Friday evening--my usual ones. Yes; Friday--good-bye.'

"'I run over to New York every two weeks to see a show,' says the farmer, hanging up the receiver. 'I catch the eighteen-hour flyer at Indianapolis, spend ten hours in the heyday of night on the Yappian Way, and get home in time to see the chickens go to roost forty-eight

The third excerpt represents the future or something you must embrace, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

puzzled over it.

When a child, playing and fighting with gamins in the street, dirt disguised her. Attired in tatters and grime, she went unseen.

There came a time, however, when the young men of the vicinity said: "Dat Johnson goil is a puty good looker." About this period her brother remarked to her: "Mag, I'll tell yeh dis! See? Yeh've edder got teh go teh hell or go teh work!" Whereupon she went to work, having the feminine aversion of going to hell.

By a chance, she got a position in an establishment where they made collars and cuffs. She received a stool and a machine in a room where sat twenty girls of various shades of yellow discontent.


Maggie: A Girl of the Streets