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Today's Stichomancy for Nellie McKay

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Open Letter on Translating by Dr. Martin Luther:

the saints in heaven intercede for us - even though we cannot know this as the Scripture does not tell us such - but the saints have been made into gods, and that they are to be our patrons to whom we should call. Some of them have never existed! To each of these saints a particular power and might has been given - one over fire, another over water, another over pestilence, fever and all sorts of plagues. Indeed, God must have been altogether idle to have let the saints work in his place. Of this atrocity the papists themselves are aware, as they quietly take up their pipes and preen and primp themselves over this doctrine of the intercession of the saints. I will leave this subject for now -

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Research Magnificent by H. G. Wells:

them when they turned they saw great mountains, sullenly magnificent, cleft into vast irregular masses, dense with woods below and grim and desolate above. . . .

These were unforgettable scenes, and so too was the wild lonely valley through which they rode to Ochrida amidst walnut and chestnut trees and scattered rocks, and the first vision of that place itself, with its fertile levels dotted with sheep and cattle, its castle and clustering mosques, its spacious blue lake and the great mountains rising up towards Olympus under the sun. And there was the first view of the blue Lake of Presba seen between silvery beech stems, and that too had Olympus in the far background, plain now and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Sportsman by Xenophon:

sheltered spots during cold weather and in shady thickets during the hot season, but in spring and autumn on ground exposed to the sun. Not so the running[18] animal, for the simple reason that she is scared out of her wits by the hounds.[19]

[17] "The form-frequenting hare."

[18] "Her roving congener," i.e. the hunted hare that squats. The distinction drawn is between the form chosen by the hare for her own comfort, and her squatting-place to escape the hounds when hunted.

[19] i.e. "the dogs have turned her head and made her as mad as a March hare."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Second Home by Honore de Balzac:

one of those home-scenes which tighten the bonds of affection between two persons who truly love. In the middle of the blue drawing-room, in front of the window opening to the balcony, a little boy of four was making a tremendous noise as he whipped the rocking-horse, whose two curved supports for the legs did not move fast enough to please him; his pretty face, framed in fair curls that fell over his white collar, smiled up like a cherub's at his mother when she said to him from the depths of an easy-chair, "Not so much noise, Charles; you will wake your little sister."

The inquisitive boy suddenly got off his horse, and treading on tiptoe as if he were afraid of the sound of his feet on the carpet, came up