The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Land of Footprints by Stewart Edward White: quick shot ought to be able to cope with.
Therefore the wise hunter assures himself of at least twenty
feet-preferably more-of neutral zone all about him. No matter
how long it takes, he determines absolutely that the lion is not
within that distance. The rest is alertness and quickness.
As I have said, the amount of cover necessary to conceal a lion
is astonishingly small. He can flatten himself out surprisingly;
and his tawny colour blends so well with the brown grasses that
he is practically invisible. A practised man does not, of course,
look for lions at all. He is after unusual small patches,
especially the black ear tips or the black of the mane. Once
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from From the Earth to the Moon by Jules Verne: of cast-iron lacework. Trophies of blunderbuses, matchlocks,
arquebuses, carbines, all kinds of firearms, ancient and modern,
were picturesquely interlaced against the walls. The gas lit
up in full glare myriads of revolvers grouped in the form of
lustres, while groups of pistols, and candelabra formed of
muskets bound together, completed this magnificent display
of brilliance. Models of cannon, bronze castings, sights covered
with dents, plates battered by the shots of the Gun Club,
assortments of rammers and sponges, chaplets of shells, wreaths
of projectiles, garlands of howitzers-- in short, all the
apparatus of the artillerist, enchanted the eye by this
From the Earth to the Moon |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Desert Gold by Zane Grey: Belding's face, especially the look in her eyes. It had been one
of repressed pain liberated in a flash of certainty. The mother
had seen just as quickly as Mercedes how far he had gone on the
road of love. Perhaps she had seen more--even more than he dared
hope. The incident roused Gale. He could not understand Mrs.
Belding, nor why that look of hers, that seeming baffled, hopeless
look of a woman who saw the inevitable forces of life and could
not thwart them, should cause him perplexity and distress. He
wanted to go to her and tell her how he felt about Nell, but fear
of absolute destruction of his hopes held him back. He would wait.
Nevertheless, an instinct that was perhaps akin to self-preservation
Desert Gold |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Twice Told Tales by Nathaniel Hawthorne: A few stately savages, in all the pomp and dignity of the
primeval Indian, stood gazing at the spectacle. Their
flint-headed arrows were but childish weapons compared with the
matchlocks of the Puritans, and would have rattled harmlessly
against the steel caps and hammered iron breastplates which
inclosed each soldier in an individual fortress. The valiant John
Endicott glanced with an eye of pride at his sturdy followers,
and prepared to renew the martial toils of the day.
"Come, my stout hearts!" quoth he, drawing his sword. "Let us
show these poor heathen that we can handle our weapons like men
of might. Well for them, if they put us not to prove it in
Twice Told Tales |