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Today's Stichomancy for Nick Cave

The first excerpt represents the past or something you must release, and is drawn from A Kidnapped Santa Claus by L. Frank Baum:

"We must go back at once and find our master," said Nuter the Ryl, who thought and spoke with much deliberation.

"No, no!" exclaimed Peter the Knook, who, cross and crabbed though he was, might always be depended upon in an emergency. "If we delay, or go back, there will not be time to get the toys to the children before morning; and that would grieve Santa Claus more than anything else."

"It is certain that some wicked creatures have captured him," added Kilter thoughtfully, "and their object must be to make the children unhappy. So our first duty is to get the toys distributed as carefully as if Santa Claus were himself present. Afterward we can search for our master and easily secure his freedom."


A Kidnapped Santa Claus
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Before Adam by Jack London:

slept at night in the connecting passage of the double cave.

And with our coming to live with the horde came trouble. Red-Eye had had I don't know how many wives since the Singing One. She had gone the way of the rest. At present he had a little, soft, spiritless thing that whimpered and wept all the time, whether he beat her or not; and her passing was a question of very little time. Before she passed, even, Red-Eye set his eyes on the Swift One; and when she passed, the persecution of the Swift One began.

The third excerpt represents the future or something you must embrace, and is drawn from The Hidden Masterpiece by Honore de Balzac:

passage by the ship. It is a masterpiece, painted for Marie de Medicis, and afterwards sold by her in the days of her distress.

"I like your saint," said the old man to Porbus, "and I will give you ten golden crowns over and above the queen's offer; but as to entering into competition with her--the devil!"

"You do like her, then?"

"As for that," said the old man, "yes, and no. The good woman is well set-up, but--she is not living. You young men think you have done all when you have drawn the form correctly, and put everything in place according to the laws of anatomy. You color the features with flesh- tones, mixed beforehand on your palette,--taking very good care to