| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: an existence wherein thought and movement combine less to bring joy
into it than to neutralize the action of sorrow.
Chance has made an artisan economical, chance has favored him with
forethought, he has been able to look forward, has met with a wife and
found himself a father, and, after some years of hard privation, he
embarks in some little draper's business, hires a shop. If neither
sickness nor vice blocks his way--if he has prospered--there is the
sketch of this normal life.
And, in the first place, hail to that king of Parisian activity, to
whom time and space give way. Yes, hail to that being, composed of
saltpetre and gas, who makes children for France during his laborious
 The Girl with the Golden Eyes |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Little Women by Louisa May Alcott: for the first time in her life, realized how much she was
beloved and petted at home. Aunt March never petted any one.
She did not approve of it, but she meant to be kind, for the well-
behaved little girl pleased her very much, and Aunt March had
a soft place in her old heart for her nephew's children, though
she didn't think it proper to confess it. She really did her
best to make Amy happy, but, dear me, what mistakes she made.
Some old people keep young at heart in spite of wrinkles and
gray hairs, can sympathize with children's little cares and
joys, make them feel at home, and can hide wise lessons under
pleasant plays, giving and receiving friendship in the sweetest
 Little Women |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Exiles by Honore de Balzac: analogies with that of Mirabeau. It was stamped with the seal of
fierce, swift, and terrible eloquence. But the Doctor bore on his brow
the expression of religious faith that his modern double had not. His
voice, too, was of persuasive sweetness, with a clear and pleasing
ring in it.
At this moment the daylight, that was stintingly diffused through the
small, heavily-leaded window-panes, tinted the assembly with
capricious tones and powerful contrasts from the chequered light and
shade. Here, in a dark corner, eyes shone brightly, their dark heads
under the sunbeams gleamed light above faces in shadow, and various
bald heads, with only a circlet of white hair, were distinguished
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Gentle Grafter by O. Henry: "'Since you won't sell, I will,' says I. 'Large bills, please. I'm a
man of few words. I must return to New York to-night. I lecture
to-morrow at the aquarium.'
"Scudder sends a check down and the hotel cashes it. He goes off with
his piece of antiquity and I hurry back to Andy's hotel, according to
arrangement.
"Andy is walking up and down the room looking at his watch.
"'Well?' he says.
"'Twenty-five hundred,' says I. 'Cash.'
"'We've got just eleven minutes,' says Andy, 'to catch the B. & O.
westbound. Grab your baggage.'
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