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Today's Stichomancy for Nick Lachey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Herland by Charlotte Gilman:

in the best Southern style. He was full of chivalry and sentiment, and all that. And he was a good boy; he lived up to his ideals.

You might say Terry did, too, if you can call his views about women anything so polite as ideals. I always liked Terry. He was a man's man, very much so, generous and brave and clever; but I don't think any of us in college days was quite pleased to have him with our sisters. We weren't very stringent, heavens no! But Terry was "the limit." Later on--why, of course a man's life is his own, we held, and asked no questions.

But barring a possible exception in favor of a not impossible wife, or of his mother, or, of course, the fair relatives of his


Herland
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Poor and Proud by Oliver Optic:

home, I will tell you all about it. Just as we got in to the dock, I kept thinking about what you told me. They won't let us have any fires on board ship in the docks; so we all board ashore. I asked the man where we stopped if he knew such a merchant as Matthew Guthrie. He did not know him, and never heard of him. Then I went round among the big merchants, and asked about your grandfather. I asked a good many before I found one who knew him, and he said your grandfather had been dead ten years. I asked him where the family was. He said Mr. Guthrie had only two daughters; that one of them had run away with her father's clerk, and the other was married and gone to America. He

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

Street. Further, it is not true that the Censorship, though it certainly suppresses Ibsen and Tolstoy, and would suppress Shakespear but for the absurd rule that a play once licensed is always licensed (so that Wycherly is permitted and Shelley prohibited), also suppresses unscrupulous playwrights. I challenge Mr Redford to mention any extremity of sexual misconduct which any manager in his senses would risk presenting on the London stage that has not been presented under his license and that of his predecessor. The compromise, in fact, works out in practice in favor of loose plays as against earnest ones.

To carry conviction on this point, I will take the extreme course

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Professor by Charlotte Bronte:

termination thereof; it would have been impious to intrude my heretical presence during its progress. How the repeater of the prayer did cackle and splutter! I never before or since heard language enounced with such steam-engine haste. "Notre Pere qui etes au ciel" went off like a shot; then followed an address to Marie "vierge celeste, reine des anges, maison d'or, tour d'ivoire!" and then an invocation to the saint of the day; and then down they all sat, and the solemn (?) rite was over; and I entered, flinging the door wide and striding in fast, as it was my wont to do now; for I had found that in entering with aplomb, and mounting the estrade with emphasis, consisted the grand


The Professor