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Today's Stichomancy for Nick Lachey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Catriona by Robert Louis Stevenson:

and they pu'd him up like a deid corp, dadding on the craig.

A dram of brandy (which he went never without) broucht him to his mind, or what was left of it. Up he sat.

"Rin, Geordie, rin to the boat, mak' sure of the boat, man - rin!" he cries, "or yon solan'll have it awa'," says he.

The fower lads stared at ither, an' tried to whilly-wha him to be quiet. But naething would satisfy Tam Dale, till ane o' them had startit on aheid to stand sentry on the boat. The ithers askit if he was for down again.

"Na," says he, "and niether you nor me," says he, "and as sune as I can win to stand on my twa feet we'll be aff frae this craig o' Sawtan."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Unseen World and Other Essays by John Fiske:

hostile soil, has at last grown into a mighty tree of liberty, drawing sustenance from all lands, and protecting all civilized peoples with its pleasant shade. We congratulate Mr. Motley upon the successful completion of the second portion of his great work; and we think that the Netherlanders of our time have reason to be grateful to the writer who has so faithfully and eloquently told the story of their country's fearful struggle against civil and ecclesiastical tyranny, and its manifold contributions to the advancement of European civilization.

Mr. Motley has been fortunate in his selection of a subject upon which to write. Probably no century of modern times lends itself


The Unseen World and Other Essays
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gambara by Honore de Balzac:

inferred from this dissimilarity between the husband and wife, he made no attempt to control a liking which ought to have raised a barrier between the fair Marianna and himself. He was already conscious of feeling a sort of respectful pity for this man, whose only joy she was, as he understood the dignified and serene acceptance of ill fortune that was expressed in Gambara's mild and melancholy gaze.

After expecting to see one of the grotesque figures so often set before us by German novelists and writers of /libretti/, he beheld a simple, unpretentious man, whose manners and demeanor were in nothing strange and did not lack dignity. Without the faintest trace of luxury, his dress was more decent than might have been expected from


Gambara
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

the mercy of the doubtful faith of our Albanian merchant.

From many circumstances, it chanced we were safer than we could have dared to hope. The town of Albany was at that time much concerned in contraband trade across the desert with the Indians and the French. This, as it was highly illegal, relaxed their loyalty, and as it brought them in relation with the politest people on the earth, divided even their sympathies. In short, they were like all the smugglers in the world, spies and agents ready- made for either party. Our Albanian, besides, was a very honest man indeed, and very greedy; and, to crown our luck, he conceived a great delight in our society. Before we had reached the town of