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Today's Stichomancy for Nicky Hilton

The first excerpt represents the past or something you must release, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft:

goodly heritage in this land, but man has cursed it with his devices and crimes against human souls and human rights. Is America the 'land of the free, and the home of the brave?' God knows it is not; and we know it too. A brave young man and a virtuous young woman must fly the American shores, and seek, under the shadow of the British throne, the enjoyment of 'life, liberty, and the pur- suit of happiness.'

"But I must pursue my plain, sad story. All day long, I have been busy planning a safe way for


Running a Thousand Miles for Freedom
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

/cons/ with the inflexibility of a Minos who had crossed the Styx of commerce when he quitted the Quai des Morfondus for his little third storey.

"Well, uncle?" said Birotteau, who waited for an answer, after closing what he had to say with an entreaty that Pillerault would sell sixty thousand francs out of the Funds.

"Well, my poor nephew, I cannot do it; you are too heavily involved. The Ragons and I each lose our fifty thousand francs. Those worthy people have, by my advice, sold their shares in the mines of Wortschin: I feel obliged, in case of loss, not to return the capital of course, but to succor them, and to succor my niece and Cesarine.


Rise and Fall of Cesar Birotteau
The third excerpt represents the future or something you must embrace, and is drawn from The Market-Place by Harold Frederic:

he persisted. "Especially if it was a project in which you were concerned?"

After a moment's constrained silence she said to him, "You must have no projects, Mr. Thorpe, in which I am concerned. This talk is all very wide of the mark. You are not entitled to speak as if I were mixed up with your affairs. There is nothing whatever to warrant it."

"But how can you help being in my projects if I put you there, and keep you there?" he asked her, with gleeful boldness. "And just ask yourself whether you do really want to help it. Why should you? You've seen enough of me


The Market-Place