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Today's Stichomancy for Nicolas Cage

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Return of the Native by Thomas Hardy:

"So there's to be no dancing, I suppose. And is Thomasin in the room? I see something moving in front of the candles that resembles her shape, I think."

"Yes. She do seem happy. She is red in the face, and laughing at something Fairway has said to her. O my!"

"What noise was that?" said Clym.

"Mr. Venn is so tall that he knocked his head against the beam in gieing a skip as he passed under. Mrs. Venn has run up quite frightened and now she's put her hand to his head to feel if there's a lump. And now they


Return of the Native
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Soul of the Far East by Percival Lowell:

truth behind it. This idea is due to the attitude of the foreign observers, and was in fact a tribute to Japanese technique rather than an appreciation of Far Eastern artistic feeling. The truth is, the foreigners brought to the subject their own Western criteria of merit, and judged everything by these standards. Such works naturally commended themselves most as had least occasion to deviate from their canons. The simplest pictures, therefore, were pronounced the best. Paintings of birds and flowers were thus admitted to be fine, because their realism spoke for itself. Of the exquisite poetic feeling of their landscape paintings the foreign critics were not at first conscious, because it was not expressed in

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

over the earth was such a downpour of rain as men had never before seen, and where the volcanoes flared red against the cloud canopy there descended torrents of mud. Everywhere the waters were pouring off the land, leaving mud-silted ruins, and the earth littered like a storm-worn beach with all that had floated, and the dead bodies of the men and brutes, its children. For days the water streamed off the land, sweeping away soil and trees and houses in the way, and piling huge dykes and scooping out Titanic gullies over the country side. Those were the days of darkness that followed the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Alkahest by Honore de Balzac:

the real life of common things, it would indeed have been difficult not to do involuntary homage to the winning beauty of his face and the gracious soul that would then have shone from it. As it was, all who looked at him regretted that the man belonged no more to the world at large, and said to one another: "He must have been very handsome in his youth." A vulgar error! Never was Balthazar Claes's appearance more poetic than at this moment. Lavater, had he seen him, would fain have studied that head so full of patience, of Flemish loyalty, and pure morality,--where all was broad and noble, and passion seemed calm because it was strong.

The conduct of this man could not be otherwise than pure; his word was