| The first excerpt represents the past or something you must release, and is drawn from Woman and Labour by Olive Schreiner: undoubtedly, wherever found, the most productive toiler known to the race);
it is but one step, though a long one, from this woman to the woman who
produces offspring freely but does not herself rear them, and performs no
compensatory social labour. While from this woman, again, to the one who
bears few or no children, but who, whether as a wife or mistress, lives by
the exercise of her sex function alone, the step is short. There is but
one step farther to the prostitute, who affects no form of productive
labour, and who, in place of life, is recognised as producing disease and
death, but who exists parasitically through her sexual attribute. Enormous
as is the distance between the women at the two extremes of this series,
and sharply opposed as their relation to the world is, there is yet, in
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Pierre Grassou by Honore de Balzac: the tops of the doors--masterpieces! Come and see us."
And off he went without taking leave, having had enough of looking at
Virginie.
"Who is that man?" asked Madame Vervelle.
"A great artist," answered Grassou.
There was silence for a moment.
"Are you quite sure," said Virginie, "that he has done no harm to my
portrait? He frightened me."
"He has only done it good," replied Grassou.
"Well, if he is a great artist, I prefer a great artist like you,"
said Madame Vervelle.
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The third excerpt represents the future or something you must embrace, and is drawn from Sense and Sensibility by Jane Austen: behaviour to Eliza Williams. That crime has been the origin
of every lesser one, and of all his present discontents."
Marianne assented most feelingly to the remark;
and her mother was led by it to an enumeration of Colonel
Brandon's injuries and merits, warm as friendship
and design could unitedly dictate. Her daughter did
not look, however, as if much of it were heard by her.
Elinor, according to her expectation, saw on the two
or three following days, that Marianne did not continue
to gain strength as she had done; but while her resolution
was unsubdued, and she still tried to appear cheerful
Sense and Sensibility |
