Today's Stichomancy for Nicolas Cage

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Boys' Life of Abraham Lincoln by Helen Nicolay:

"Gentlemen: I have, as you are aware, thought a great deal about the relation of this war to slavery, and you all remember that several weeks ago I read to you an order I had prepared on this subject, which, on account of objections made by some of you, was not issued. Ever since then my mind has been much occupied with this subject, and I have thought, all along, that the time for acting on it might probably come. I think the time has come now. I wish it was a better time. I wish that we were in a better condition. The action of the army against the rebels has not been quite what I should have best liked. But they have been driven out of Maryland, and Pennsylvania is no longer in danger of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.:

to defy the power of reason to resist them. He could not shut out these frightful cries nightly repeated, nor the frightful sound of the whip employed to still them. Hope began to fail him, as he observed, that the submissive tranquillity (which he had imagined, by obtaining increased indulgence, might contribute to his escape, or perhaps convince the keeper of his sanity) was interpreted by the callous ruffian, who was acquainted only with the varieties of MADNESS, as a more refined species of that cunning which he was well accustomed to watch and baffle.

On his first discovery of his situation, he had determined to take the utmost care of his health and intellect that the place allowed,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Scaramouche by Rafael Sabatini:

mockery that was his natural habit.

"My congratulations, mademoiselle, upon the readiness with which you begin to adapt yourself to the great role you are to play."

"Do you adapt yourself also, monsieur," she retorted angrily, and turned her shoulder to him.

"To be as the dust beneath the haughty feet of Madame la Marquise. I hope I shall know my place in future."

The phrase arrested her. She turned to him again, and he perceived that her eyes were shining now suspiciously. In an instant the mockery in him was quenched in contrition.

"Lord, what a beast I am, Aline!" he cried, as he advanced.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

leaning on the old man's arm, Count Muffat reappeared with blanched cheeks and eyes reddened as if by recent weeping.

I bet they've been chatting about hell," muttered Fauchery in a bantering tone.

The Countess Sabine overheard the remark. She turned her head slowly, and their eyes met in that long gaze with which they were accustomed to sound one another prudently before venturing once for all.

After the breakfast it was the guests' custom to betake themselves to a little flower garden on a terrace overlooking the plain. This Sunday afternoon was exquisitely mild. There had been signs of rain