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Today's Stichomancy for Niels Bohr

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

voices are assimilated, partly because the faculty of voice-discrimination is a plebeian virtue not much developed among the Aristocracy. And wherever there is any danger of imposture we cannot trust to this method. Amongst our lowest orders, the vocal organs are developed to a degree more than correspondent with those of hearing, so that an Isosceles can easily feign the voice of a Polygon, and, with some training, that of a Circle himself. A second method is therefore more commonly resorted to.

FEELING is, among our Women and lower classes -- about our upper classes I shall speak presently -- the principal test of recognition, at all events between strangers, and when


Flatland: A Romance of Many Dimensions
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Confidence by Henry James:

but it was equally obvious that she was irregularly clever. Longueville's little figure was a success--a charming success, he thought, as he put on the last touches. While he was doing this, his model's companion came into view. She came out of the church, pausing a moment as she looked from her daughter to the young man in the corner of the terrace; then she walked straight over to the young girl. She was a delicate little gentlewoman, with a light, quick step.

Longueville's five minutes were up; so, leaving his place, he approached the two ladies, sketch in hand. The elder one, who had passed her hand into her daughter's arm, looked up at

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Unconscious Comedians by Honore de Balzac:

"We'll amaze you a good deal more, my dear cousin," said Leon de Lora. "We'll take Paris as an artist takes his violoncello, and show you how it is played,--in short, how people amuse themselves in Paris."

"It is a kaleidoscope with a circumference of twenty miles," cried Gazonal.

"Before piloting monsieur about, I have to see Gaillard," said Bixiou.

"But we can use Gaillard for the cousin," replied Leon.

"What sort of machine is that?" asked Gazonal.

"He isn't a machine, he is a machinist. Gaillard is a friend of ours who has ended a miscellaneous career by becoming the editor of a newspaper, and whose character and finances are governed by movements

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Marriage Contract by Honore de Balzac:

idea until she hatches it. A strange assemblage of virtues and defects! which her Spanish nature had strengthened in Madame Evangelista, and over which her French experience had cast the glaze of its politeness.

This character, slumbering in married happiness for sixteen years, occupied since then with the trivialities of social life, this nature to which a first hatred had revealed its strength, awoke now like a conflagration; at the moment of the woman's life when she was losing the dearest object of her affections and needed another element for the energy that possessed her, this flame burst forth. Natalie could be but three days more beneath her influence! Madame Evangelista,