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Today's Stichomancy for Oliver Stone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from 1984 by George Orwell:

Nothing that I can do or say, or stop myself from saying, will put off your death for as much as five minutes. Neither of us will even know whether the other is alive or dead. We shall be utterly without power of any kind. The one thing that matters is that we shouldn't betray one another, although even that can't make the slightest difference.'

'If you mean confessing,' she said, 'we shall do that, right enough. Everybody always confesses. You can't help it. They torture you.'

'I don't mean confessing. Confession is not betrayal. What you say or do doesn't matter: only feelings matter. If they could make me stop loving you--that would be the real betrayal.'

She thought it over. 'They can't do that,' she said finally. 'It's the one


1984
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Village Rector by Honore de Balzac:

dilapidated wooden frames of the windows, the wealth of the clambering plants escaping from every cranny, and the clasping tendrils of the grape-vine which looked into every window as if to bring smiling ideas to those within, he congratulated himself heartily on being a bishop in perspective instead of a village rector.

This house, apparently always open, seemed to belong to everybody. The Abbe Gabriel entered a room communicating with the kitchen, which was poorly furnished with an oak table on four stout legs, a tapestried armchair, a number of chairs all of wood, and an old chest by way of buffet. No one was in the kitchen except a cat which revealed the presence of a woman about the house. The other room served as a salon.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Glasses by Henry James:

piece.

Now that he had acted without my aid I was free to show him this, and having on his own side something to show me he repeatedly knocked at my door. What he brought with him on these occasions was a simplicity so huge that, as I turn my ear to the past, I seem even now to hear it bumping up and down my stairs. That was really what I saw of him in the light of his behaviour. He had fallen in love as he might have broken his leg, and the fracture was of a sort that would make him permanently lame. It was the whole man who limped and lurched, with nothing of him left in the same position as before. The tremendous cleverness, the literary

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

The day was growing late and the sunbeams long and level, when she sat suddenly up, and wrapped in its handkerchief and put by that psalm-book which had already played a part so decisive in the first chapter of her love-story. In the absence of the mesmerist's eye, we are told nowadays that the head of a bright nail may fill his place, if it be steadfastly regarded. So that torn page had riveted her attention on what might else have been but little, and perhaps soon forgotten; while the ominous words of Dandie - heard, not heeded, and still remembered - had lent to her thoughts, or rather to her mood, a cast of solemnity, and that idea of Fate - a pagan Fate, uncontrolled by any Christian deity, obscure, lawless, and august - moving indissuadably in the affairs of Christian