| The first excerpt represents the past or something you must release, and is drawn from Lesser Hippias by Plato: do well?
HIPPIAS: Yes.
SOCRATES: And will not the better and abler soul when it does wrong, do
wrong voluntarily, and the bad soul involuntarily?
HIPPIAS: Clearly.
SOCRATES: And the good man is he who has the good soul, and the bad man is
he who has the bad?
HIPPIAS: Yes.
SOCRATES: Then the good man will voluntarily do wrong, and the bad man
involuntarily, if the good man is he who has the good soul?
HIPPIAS: Which he certainly has.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Apology by Plato: by depriving him of a few years of life. Perhaps he could have escaped, if
he had chosen to throw down his arms and entreat for his life. But he does
not at all repent of the manner of his defence; he would rather die in his
own fashion than live in theirs. For the penalty of unrighteousness is
swifter than death; that penalty has already overtaken his accusers as
death will soon overtake him.
And now, as one who is about to die, he will prophesy to them. They have
put him to death in order to escape the necessity of giving an account of
their lives. But his death 'will be the seed' of many disciples who will
convince them of their evil ways, and will come forth to reprove them in
harsher terms, because they are younger and more inconsiderate.
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The third excerpt represents the future or something you must embrace, and is drawn from Pierre Grassou by Honore de Balzac: about Paris to meet his old comrades and have the happiness of saying
to them:--
"The King has given me an order for the Museum of Versailles."
Madame de Fougeres adores her husband, to whom she has presented two
children. This painter, a good father and a good husband, is unable to
eradicate from his heart a fatal thought, namely, that artists laugh
at his work; that his name is a term of contempt in the studios; and
that the feuilletons take no notice of his pictures. But he still
works on; he aims for the Academy, where, undoubtedly, he will enter.
And--oh! vengeance which dilates his heart!--he buys the pictures of
celebrated artists who are pinched for means, and he substitutes these
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