| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Philosophy 4 by Owen Wister: struck noon.
In a meadow where a brown amber stream ran, lay Bertie and Billy on the
grass. Their summer coats were off, their belts loosened. They watched
with eyes half closed the long water-weeds moving gently as the current
waved and twined them. The black gelding, brought along a farm road and
through a gate, waited at its ease in the field beside a stone wall. Now
and then it stretched and cropped a young leaf from a vine that grew
over the wall, and now and then the want wind brought down the fruit
blossoms all over the meadow. They fell from the tree where Bertie and
Billy lay, and the boys brushed them from their faces. Not very far
away was Blue Hill, softly shining; and crows high up in the air came
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Philebus by Plato: PROTARCHUS: What is it?
SOCRATES: We agree--do we not?--that there is such a thing as false, and
also such a thing as true opinion?
PROTARCHUS: Yes.
SOCRATES: And pleasure and pain, as I was just now saying, are often
consequent upon these--upon true and false opinion, I mean.
PROTARCHUS: Very true.
SOCRATES: And do not opinion and the endeavour to form an opinion always
spring from memory and perception?
PROTARCHUS: Certainly.
SOCRATES: Might we imagine the process to be something of this nature?
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Seraphita by Honore de Balzac: that of a woman, gave evidence of one of those natures which are
feeble apparently, but whose strength equals their will, rendering
them at times powerful. Of medium height, Seraphitus appeared to grow
in stature as he turned fully round and seemed about to spring upward.
His hair, curled by a fairy's hand and waving to the breeze, increased
the illusion produced by this aerial attitude; yet his bearing, wholly
without conscious effort, was the result far more of a moral
phenomenon than of a corporal habit.
Minna's imagination seconded this illusion, under the dominion of
which all persons would assuredly have fallen,--an illusion which gave
to Seraphitus the appearance of a vision dreamed of in happy sleep. No
Seraphita |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Simple Soul by Gustave Flaubert: river in the ruins of a pig-sty. The urchins peeped at him through the
cracks in the walls and threw stones that fell on his miserable bed,
where he lay gasping with catarrh, with long hair, inflamed eyelids,
and a tumour as big as his head on one arm.
She got him some linen, tried to clean his hovel and dreamed of
installing him in the bake-house without his being in Madame's way.
When the cancer broke, she dressed it every day; sometimes she brought
him some cake and placed him in the sun on a bundle of hay; and the
poor old creature, trembling and drooling, would thank her in his
broken voice, and put out his hands whenever she left him. Finally he
died; and she had a mass said for the repose of his soul.
A Simple Soul |
