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Today's Stichomancy for Orson Welles

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The New Machiavelli by H. G. Wells:

Redmayne's rooms in King's, and was very proud and proprietorial. It failed to stir Cambridge at all profoundly. Beyond a futile attempt to screw up Hatherleigh made by some inexpert duffers who used nails instead of screws and gimlets, there was no attempt to rag. Next day Chris Robinson went and spoke at Bennett Hall in Newnham College, and left Cambridge in the evening amidst the cheers of twenty men or so. Socialism was at such a low ebb politically in those days that it didn't even rouse men to opposition.

And there sat Chris under that flamboyant and heroic Worker of the poster, a little wrinkled grey-bearded apologetic man in ready-made clothes, with watchful innocent brown eyes and a persistent and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Works of Samuel Johnson by Samuel Johnson:

for a man will not debase himself by work, which requires neither skill nor courage. Anningait was therefore exposed by idleness to the ravages of passion. He went thrice to the stern of the boat, with an intent to leap into the water, and swim back to his mistress; but, recollecting the misery which they must endure in the winter, without oil for the lamp, or skins for the bed, he resolved to employ the weeks of absence in provision for a night of plenty and felicity. He then composed his emotions as he could, and expressed, in wild numbers and uncouth

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays & Lectures by Oscar Wilde:

then, I have been through your country to some fifty or sixty different cities, I think. I find that what your people need is not so much high imaginative art but that which hallows the vessels of everyday use. I suppose that the poet will sing and the artist will paint regardless whether the world praises or blames. He has his own world and is independent of his fellow-men. But the handicraftsman is dependent on your pleasure and opinion. He needs your encouragement and he must have beautiful surroundings. Your people love art but do not sufficiently honour the handicraftsman. Of course, those millionaires who can pillage Europe for their pleasure need have no care to encourage such; but I speak for those

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Westward Ho! by Charles Kingsley:

sense, ye dogs," cries Will; "do you not see that you are but fifty strong to our twenty?" Whereon up the side he scrambled, and the captain fired a pistol at him. Cary knocked him over, unwilling to shed needless blood; on which all the crew yielded, some falling on their knees, some leaping overboard; and the prize was taken.

In the meanwhile, Amyas had pulled round under her stern, and boarded the boat which was second from her, for the nearest was fast alongside, and so a sure prize. The Spaniards in her yielded without a blow, crying "Misericordia;" and the negroes, leaping overboard, swam ashore like sea-dogs. Meanwhile, the third boat, which was not an oar's length off, turned to pull away. Whereby