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Today's Stichomancy for Orson Welles

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Man against the Sky by Edwin Arlington Robinson:

Irrelevant, or not prime to the purpose. And there were some, of course, and there be now, Disordered and reduced amazedly To resignation by the mystic seal Of young finality the gods had laid On everything that made him a young demon; And one or two shot looks at him already As he had been their executioner; And once or twice he was, not knowing it, -- Or knowing, being sorry for poor clay And saying nothing. . . . Yet, for all his engines,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Duty of Civil Disobedience by Henry David Thoreau:

This, according to Paley, would be inconvenient. But he that would save his life, in such a case, shall lose it. This people must cease to hold slaves, and to make war on Mexico, though it cost them their existence as a people.

In their practice, nations agree with Paley; but does anyone think that Massachusetts does exactly what is right at the present crisis?

"A drab of stat, a cloth-o'-silver slut, To have her train borne up, and her soul trail in the dirt."


On the Duty of Civil Disobedience
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

his strength against the arm that held him back between the rails. The struggle did not last a moment. Just as certain as it was that Horrocks held him there, so certain was it that he had been violently lugged out of danger.

"Out of the way," said Horrocks, with a gasp, as the train came rattling by, and they stood panting by the gate into the ironworks.

"I did not see it coming," said Raut, still, even in spite of his own apprehensions, trying to keep up an appearance of ordinary intercourse.

Horrocks answered with a grunt. "The cone," he said, and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Golden Threshold by Sarojini Naidu:

never without suffering, or her heart without conflict; but neither the body's weakness nor the heart's violence could disturb that fixed contemplation, as of Buddha on his lotus-throne.

And along with this wisdom, as of age or of the age of a race, there was what I can hardly call less than an agony of sensation. Pain or pleasure transported her, and the whole of pain or pleasure might be held in a flower's cup or the imagined frown of a friend. It was never found in those things which to others seemed things of importance. At the age of twelve she passed the Matriculation of the Madras University, and awoke to find herself