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Today's Stichomancy for Orson Welles

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Edition of The Ambassadors by Henry James:

have left Mrs. Waymarsh; and one would assuredly have paid one's tribute to the ideal in covering with that attitude the derision of having been left by her. Her husband had held his tongue and had made a large income; and these were in especial the achievements as to which Strether envied him. Our friend had had indeed on his side too a subject for silence, which he fully appreciated; but it was a matter of a different sort, and the figure of the income he had arrived at had never been high enough to look any one in the face.

"I don't know as I quite see what you require it for. You don't appear sick to speak of." It was of Europe Waymarsh thus finally spoke.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ball at Sceaux by Honore de Balzac:

costume, which was so becoming to the courtiers of Louis XV. To hear her, it was a misfortune for France, perhaps, that there was no outward and visible difference between a merchant and a peer of France. And a hundred more such pleasantries, easy to imagine, were rapidly poured out when any accident brought up the subject.

But those who loved Emilie could see through all her banter a tinge of melancholy. It was clear that Maximilien Longueville still reigned over that inexorable heart. Sometimes she would be as gentle as she had been during the brief summer that had seen the birth of her love; sometimes, again, she was unendurable. Every one made excuses for her inequality of temper, which had its source in sufferings at once

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Apology by Plato:

How about horses? Does one man do them harm and all the world good? Is not the exact opposite the truth? One man is able to do them good, or at least not many;--the trainer of horses, that is to say, does them good, and others who have to do with them rather injure them? Is not that true, Meletus, of horses, or of any other animals? Most assuredly it is; whether you and Anytus say yes or no. Happy indeed would be the condition of youth if they had one corrupter only, and all the rest of the world were their improvers. But you, Meletus, have sufficiently shown that you never had a thought about the young: your carelessness is seen in your not caring about the very things which you bring against me.

And now, Meletus, I will ask you another question--by Zeus I will: Which

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Road to Oz by L. Frank Baum:

barking angrily and tried to bite the captain's hairy leg where it showed between his red boots and his yellow pantaloons.

"Stop, Toto!" cried the little girl, seizing the dog in her arms. "These are our friends."

"Why, so we are!" remarked the captain in tones of astonishment. "I thought at first we were enemies, but it seems you are friends instead. You must come with me to see King Dox."

"Who's he?" asked Button-Bright, with earnest eyes.

"King Dox of Foxville; the great and wise sovereign who rules over our community."

"What's sov'rin, and what's c'u'nity?" inquired Button-Bright.


The Road to Oz