| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Songs of Travel by Robert Louis Stevenson: And wantoned in her eyes.
Clear as the shining tapers burned
On Cytherea's shrine,
Those brimming, lustrous beauties turned,
And called and conquered mine.
The beacon-lamp that Hero lit
No fairer shone on sea,
No plainlier summoned will and wit,
Than hers encouraged me.
I thrilled to feel her influence near,
I struck my flag at sight.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Buttered Side Down by Edna Ferber: "and I liked it, all but the heroine. She had an `adorable throat'
and hair that `waved away from her white brow,' and eyes that `now
were blue and now gray.' Say, why don't you write a story about an
ugly girl?"
"My land!" protested I. "It's bad enough trying to make them
accept my stories as it is. That last heroine was a raving beauty,
but she came back eleven times before the editor of Blakely's
succumbed to her charms."
Millie's fingers were busy straightening the contents of a
tray of combs and imitation jet barrettes. Millie's fingers were
not intended for that task. They are slender, tapering fingers,
 Buttered Side Down |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Episode Under the Terror by Honore de Balzac: have defended the King and left their swords in their scabbards, will
have a very heavy account to render to the King of Heaven--Ah! yes,"
he added, with an eloquent shake of the head, "heavy indeed!--for by
doing nothing they became accomplices in the awful wickedness----"
"But do you think that an indirect participation will be punished?"
the stranger asked with a bewildered look. "There is the private
soldier commanded to fall into line--is he actually responsible?"
The priest hesitated. The stranger was glad; he had put the Royalist
precisian in a dilemma, between the dogma of passive obedience on the
one hand (for the upholders of the Monarchy maintained that obedience
was the first principle of military law), and the equally important
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis: against the broken wall. There was a heavy silence. The night
throbbed slow about them. Some late bird rose from the sedges of
the pool, and with a frightened cry flapped its tired wings, and
drifted into the dark. His eyes, through the gathering shadow,
devoured the weak, trembling body, met the soul that looked at
him, strong as his own. Was it because it knew and trusted him
that all that was pure and strongest in his crushed nature
struggled madly to be free? He thrust it down; the self-learned
lesson of years was not to be conquered in a moment.
"There have been times," he said, in a smothered, restless voice,
"when I thought you belonged to me. Not here, but before this
 Margret Howth: A Story of To-day |