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Today's Stichomancy for Oscar Wilde

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Marie by H. Rider Haggard:

as it proved in the end, in most cases murdered or orphaned!

The mystery was too great--great enough to throw off its balance the mind of a young man who had witnessed such a fearsome scene as I have described.

For some days really I think that my reason hung just upon the edge of that mental precipice. In the end, however, reflection and education, of which I had a certain amount, thanks to my father, came to my aid. I recalled that such massacres, often on an infinitely larger scale, had happened a thousand times in history, and that still through them, often, indeed, by means of them, civilisation has marched forward, and mercy and peace have kissed each other over the bloody graves of the


Marie
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Democracy In America, Volume 1 by Alexis de Toqueville:

republic, the executive power retains the titles, the honors, the etiquette, and even the funds of royalty long after its authority has disappeared. The English, after having cut off the head of one king and expelled another from his throne, were accustomed to accost the successor of those princes upon their knees. On the other hand, when a republic falls under the sway of a single individual, the demeanor of the sovereign is simple and unpretending, as if his authority was not yet paramount. When the emperors exercised an unlimited control over the fortunes and the lives of their fellow-citizens, it was customary to call them Caesar in conversation, and they were in the habit of supping

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Paz by Honore de Balzac:

"Is she handsome?"

"To my thinking," said Paz, in a melancholy tone. "Malaga (that's her stage name) is strong, active, and supple. Why do I prefer her to all other women in the world?--well, I can't tell you. When I look at her, with her black hair tied with a blue satin ribbon, floating on her bare and olive-colored shoulders, and when she is dressed in a white tunic with a gold edge, and a knitted silk bodice that makes her look like a living Greek statue, and when I see her carrying those flags in her hand to the sound of martial music, and jumping through the paper hoops which tear as she goes through, and lighting so gracefully on the galloping horse to such applause,--no hired clapping,--well, all

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]:

thing left for me to love. I am done with Betsy and Doctor, and now I'm done with Black-and-white. I wonder if Mamma can make it seem any better," and then she turned her steps to the house in search of comfort, but she had gone only half-way when the coachman, who was waiting at the door with the little grey mare and the phaeton, motioned to her to come quietly. Tattine saw at a glance what had happened, and sped swiftly back to Patrick. "Keep Black-and-white up the tree," she said, in a breathless whisper; "don't let her go near the nest, and don't let her come down for the world. The little Phoebe-birds have lit."

"All right, miss," not at all understanding the situation, but more than willing to obey orders. Tattine was in such haste to get back to the house that she hardly heard his answer. What she had tried to tell him was that the