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Today's Stichomancy for Pancho Villa

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Silas Marner by George Eliot:

Mr. Macey, winking mysteriously, "and then make believe, if you like, as you didn't see lights i' the stables, nor hear the stamping o' the hosses, nor the cracking o' the whips, and howling, too, if it's tow'rt daybreak. "Cliff's Holiday" has been the name of it ever sin' I were a boy; that's to say, some said as it was the holiday Old Harry gev him from roasting, like. That's what my father told me, and he was a reasonable man, though there's folks nowadays know what happened afore they were born better nor they know their own business."

"What do you say to that, eh, Dowlas?" said the landlord, turning to the farrier, who was swelling with impatience for his cue.


Silas Marner
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In a German Pension by Katherine Mansfield:

drew forth a baby's bottle and two little cradles holding china dolls. As he dandled these treasures before Theresa the hot room seemed to heave and sway with laughter.

Frau Brechenmacher did not think it funny. She stared round at the laughing faces, and suddenly they all seemed strange to her. She wanted to go home and never come out again. She imagined that all these people were laughing at her, more people than there were in the room even--all laughing at her because they were so much stronger than she was.

... They walked home in silence. Herr Brechenmacher strode ahead, she stumbled after him. White and forsaken lay the road from the railway station to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Age of Innocence by Edith Wharton:

Samarkand, and if they were indeed to help each other she was rendering what might prove the first of their mutual services by making him look at his native city objectively. Viewed thus, as through the wrong end of a telescope, it looked disconcertingly small and distant; but then from Samarkand it would.

A flame darted from the logs and she bent over the fire, stretching her thin hands so close to it that a faint halo shone about the oval nails. The light touched to russet the rings of dark hair escaping from her braids, and made her pale face paler.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Scarecrow of Oz by L. Frank Baum:

his natural size and was strutting before them, quite delighted with his transformation.

"Well, well! What do you think of me now?" he asked proudly.

"You are very skinny and remarkably ugly," declared Pessim.

"You are a poor judge of Orks," was the reply. "Anyone can see that I'm much handsomer than those dreadful things called birds, which are all fluff and feathers."

"Their feathers make soft beds," asserted Pessim. "And my skin would make excellent drumheads," retorted


The Scarecrow of Oz