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Today's Stichomancy for Pancho Villa

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tono Bungay by H. G. Wells:

once fled from the Christian teachings of Nicodemus Frapp--fall away on the right hand and Essex on the left. They fall away and vanish into blue haze, and the tall slow ships behind the tugs, scarce moving ships and wallowing sturdy tugs, are all wrought of wet gold as one goes frothing by. They stand out, bound on strange missions of life and death, to the killing of men in unfamiliar lands. And now behind us is blue mystery and the phantom flash of unseen lights, and presently even these are gone, and I and my destroyer tear out to the unknown across a great grey space. We tear into the great spaces of the future and the turbines fall to talking in unfamiliar tongues. Out to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Life and Adventures of Santa Claus by L. Frank Baum:

reindeer only Glossie and Flossie wore bells; but each year thereafter for eight years Claus carried presents to the children of the Gnome King, and that good-natured monarch gave him in return a string of bells at each visit, so that finally every one of the ten deer was supplied, and you may imagine what a merry tune the bells played as the sledge sped over the snow.

The children's stockings were so long that it required a great many toys to fill them, and soon Claus found there were other things besides toys that children love. So he sent some of the Fairies, who were always his good friends, into the Tropics, from whence they returned with great bags full of oranges and bananas which they had


The Life and Adventures of Santa Claus
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Waste Land by T. S. Eliot:

Paces about her room again, alone, She smoothes her hair with automatic hand, And puts a record on the gramophone.

'This music crept by me upon the waters' And along the Strand, up Queen Victoria Street.

O City city, I can sometimes hear Beside a public bar in Lower Thames Street, 260 The pleasant whining of a mandoline And a clatter and a chatter from within Where fishmen lounge at noon: where the walls Of Magnus Martyr hold


The Waste Land
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 1492 by Mary Johntson:

cities! It was set under trees, palm trees and others, by the side of a clear river. The huts were larger than those by the sea, and set not at random but in rows with a great trodden square in the middle. From town to river where they fished and where, under overhanging palms, we found many Canoes, ran a way wider than a path, much like a narrow road. But there were no wheeled vehicles nor draught animals. We were to find that in all these lands they on occasion carried their caciques or the sick or hurt in litters or palanquins borne on men's shoulders. But for carrying, grinding, drawing, they knew naught of the wheel.