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Today's Stichomancy for Paul Newman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tin Woodman of Oz by L. Frank Baum:

my work the axe slipped and cut off my head, which was the only meat part of me then remaining. Moreover, the old woman grabbed up my severed head and carried it away with her and hid it. But Nimmie Amee came into the forest and found me wandering around helplessly, because I could not see where to go, and she led me to my friend the tinsmith. The faithful fellow at once set to work to make me a tin head, and he had just completed it when Nimmie Amee came running up with my old head, which she had stolen from the Witch. But, on reflection, I considered the tin head far superior to


The Tin Woodman of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Poems of William Blake by William Blake:

But Thel delights in these no more because I fade away And all shall say, without a use this shining women liv'd, Or did she only live to be at death the food of worms.

The Cloud reclind upon his airy throne and answerd thus.

Then if thou art the food of worms, O virgin of the skies, How great thy use, how great thy blessing, every thing that lives. Lives not alone nor or itself: fear not and I will call, The weak worm from its lowly bed, and thou shalt hear its voice. Come forth worm and the silent valley, to thy pensive queen.

The helpless worm arose and sat upon the Lillys leaf, And the bright Cloud saild on, to find his partner in the vale.


Poems of William Blake
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The White Moll by Frank L. Packard:

"Thank you!" he said.

Rhoda Gray watched him with puckered brow, as he placed the gin bottle with its candle on the floor, and appropriated the chair. He might, from his tone, have been thanking her for some priceless boon. He wore a boutonniere. His clothes fitted him like gloves. He exuded a certain studied, almost languid fastidiousness - that was wholly out of keeping with the quick, daring, agile wit that he had exhibited the night before. She found her hand toying unconsciously with the weapon in her pocket. She was aware that she was fencing with unbuttoned foils. How much did he know - about last night?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales of Unrest by Joseph Conrad:

"Don't say that, Jean; don't say that, my man!"

He struck her a swinging blow on the head with the back of his hand and knocked her into the bottom of the cart, where she crouched, thrown about lamentably by every jolt. He drove furiously, standing up, brandishing his whip, shaking the reins over the gray horse that galloped ponderously, making the heavy harness leap upon his broad quarters. The country rang clamorous in the night with the irritated barking of farm dogs, that followed the rattle of wheels all along the road. A couple of belated wayfarers had only just time to step into the ditch. At his own gate he caught the post and was shot out of the cart head first. The horse went on slowly to the door. At Susan's


Tales of Unrest