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Today's Stichomancy for Penelope Cruz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Jude the Obscure by Thomas Hardy:

tortures me so much is the necessity of being responsive to this man whenever he wishes, good as he is morally!-- the dreadful contract to feel in a particular way in a matter whose essence is its voluntariness! ... I wish he would beat me, or be faithless to me, or do some open thing that I could talk about as a justification for feeling as I do! But he does nothing, except that he has grown a little cold since he has found out how I feel. That's why he didn't come to the funeral.... Oh, I am very miserable--I don't know what to do! ... Don't come near me, Jude, because you mustn't. Don't--don't!"


Jude the Obscure
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Confessio Amantis by John Gower:

To se the worchinge of the dede: For in Cronique this I rede; Anon as he hath mad the yifte, A vois was herd on hih the lifte, Of which al Rome was adrad, And seith: "To day is venym schad 3490 In holi cherche of temporal, Which medleth with the spirital." And hou it stant of that degree Yit mai a man the sothe se: God mai amende it, whan he wile,


Confessio Amantis
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Bickerstaff-Partridge Papers by Jonathan Swift:

paid for: Doctor, cries another dog, How d'ye think people can live by making of graves for nothing? Next time you die, you may e'en toll out the bell yourself for Ned. A third rogue tips me by the elbow, and wonders how I have the conscience to sneak abroad without paying my funeral expences. Lord, says one, I durst have swore that was honest Dr. Partridge, my old friend; but poor man, he is gone. I beg your pardon, says another, you look so like my old acquaintance that I used to consult on some private occasions; but, alack, he's gone the way of all flesh ---- Look, look, look, cries a third, after a competent space of staring at me, would not one think our neighbour the almanack-maker, was

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Myths and Myth-Makers by John Fiske:

reproach to what is rather prematurely called the SCIENCE of comparative mythology, were it not easy to show that the difference is merely apparent and non-essential. It is the old story of the shield with two sides; and a comparison of the ideas fundamental to these myths will show that there is no valid ground for disagreement in the interpretation of them. The myths of schamir and the divining-rod, analyzed in a previous paper, explain the rending of the thunder-cloud and the procuring of water without especial reference to any struggle between opposing divinities. But in the myth of Hercules and Cacus, the fundamental idea is the victory of the


Myths and Myth-Makers