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The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne: piquancy about the eyes and mouth, which, of all expressions,
would have seemed the most impossible to throw over a wooden
countenance. And now, so far as carving went, this wonderful
production was complete.
"Drowne," said Copley, who had hardly missed a single day in his
visits to the carver's workshop, "if this work were in marble it
would make you famous at once; nay, I would almost affirm that it
would make an era in the art. It is as ideal as an antique
statue, and yet as real as any lovely woman whom one meets at a
fireside or in the street. But I trust you do not mean to
desecrate this exquisite creature with paint, like those staring
 Mosses From An Old Manse |