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Today's Stichomancy for Peter Gabriel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.:

saw to-day.

"And now THIS is what happened. In his chamber in the Rue St. Honore, at Paris, sat a man ALONE--a man who has been maligned, a man who has been called a knave and charlatan, a man who has been persecuted even to the death, it is said, in Roman Inquisitions, forsooth, and elsewhere. Ha! ha! A man who has a mighty will.

"And looking toward the Jacobins Convent (of which, from his chamber, he could see the spires and trees), this man WILLED. And it was not yet dawn. And he willed; and one who was lying in his cell in the convent of Jacobins, awake and shuddering with terror for a crime which he had committed, fell asleep.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer:

breath through clenched teeth.

"It calls for you!" said Fu-Manchu. "At half-past twelve it calls for Graham Guthrie!"

The door closed and darkness mantled us again.

"Smith," I said, "what was that?" The horrors about us were playing havoc with my nerves.

"It was the Call of Siva!" replied Smith hoarsely.

"What is it? Who uttered it? What does it mean?"

"I don't know what it is, Petrie, nor who utters it. But it means death!"

CHAPTER XIV


The Insidious Dr. Fu-Manchu
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Dynamiter by Robert Louis Stevenson and Fanny Van De Grift Stevenson:

'And still I am at fault,' returned the prince.

But at that moment the timepiece on the mantel-shelf began to strike the hour of twelve; and the young man, raising himself upon one elbow, with an expression of despair and horror that I have never seen excelled, cried lamentably, 'Midnight! oh, just God!' We stood frozen to our places, while the tingling hammer of the timepiece measured the remaining strokes; nor had we yet stirred, so tragic had been the tones of the young man, when the various bells of London began in turn to declare the hour. The timepiece was inaudible beyond the walls of the chamber where we stood; but the second pulsation

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Barnaby Rudge by Charles Dickens:

heaved a deep sigh, and begged her husband, in a tone of resignation, to go on, and by all means to blaspheme as much as possible, because he knew she liked it.

The locksmith did for a moment seem disposed to gratify her, but he gave a great gulp, and mildly rejoined:

'I was going to say, what on earth do you call it unchristian for? Which would be most unchristian, Martha--to sit quietly down and let our houses be sacked by a foreign army, or to turn out like men and drive 'em off? Shouldn't I be a nice sort of a Christian, if I crept into a corner of my own chimney and looked on while a parcel of whiskered savages bore off Dolly--or you?'


Barnaby Rudge