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Today's Stichomancy for Peter Jackson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In a German Pension by Katherine Mansfield:

She suddenly lay down flat on her back, took in six long breaths, and sat up again.

"The death agony was dreadful," she said brightly; "of the second, I mean. The 'first' was run into by a furniture wagon, and had fifty marks stolen out of a new waistcoat pocket, but the 'second' was dying for sixty-seven hours. I never ceased crying once--not even to put the children to bed."

A young Russian, with a "bang" curl on her forehead, turned to me.

"Can you do the 'Salome' dance?" she asked. "I can."

"How delightful," I said.

"Shall I do it now? Would you like to see me?"

She sprang to her feet, executed a series of amazing contortions for the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pierre Grassou by Honore de Balzac:

A Distinguished Provincial at Paris A Start in Life Modeste Mignon Another Study of Woman Letters of Two Brides Cousin Betty The Member for Arcis

Cardot (Parisian notary) The Muse of the Department A Man of Business Jealousies of a Country Town

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ivanhoe by Walter Scott:

I give you good-night,'' he added, ``Sir Palmer, with small thanks for short courtesy.''

``Good-night, and Our Lady's benison,'' said the Palmer, with composure; and his guide moved forward.

In a small antechamber, into which several doors opened, and which was lighted by a small iron lamp, they met a second interruption from the waiting-maid of Rowena, who, saying in a tone of authority, that her mistress desired to speak with the Palmer, took the torch from the hand of Anwold, and, bidding him await her return, made a sign to


Ivanhoe
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lost Continent by Edgar Rice Burroughs:

tigers, and I decided that they must be confined to the mainland.

After eating, we set out in search of fuel, leaving Taylor to guard the launch. For some reason I could not trust Snider alone. I knew that he looked with disapproval upon my plan to visit England, and I did not know but what at his first opportunity, he might desert us, taking the launch with him, and attempt to return to Pan-America.

That he would be fool enough to venture it, I did not doubt.

We had gone inland for a mile or more, and were passing through a park-like wood, when we came suddenly upon the


Lost Continent