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Today's Stichomancy for Peter O'Toole

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson:

is good or bad as poetry, is a matter that may admit of a difference of opinion without alienating those who differ. We could not keep the peace with a man who should put forward claims to taste and yet depreciate the choruses in SAMSON AGONISTES; but, I think, we may shake hands with one who sees no more in Walt Whitman's volume, from a literary point of view, than a farrago of incompetent essays in a wrong direction. That may not be at all our own opinion. We may think that, when a work contains many unforgettable phrases, it cannot be altogether devoid of literary merit. We may even see passages of a high poetry here and there among its

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Moby Dick by Herman Melville:

claw-footed look about her. Long seasoned and weather-stained in the typhoons and calms of all four oceans, her old hull's complexion was darkened like a French grenadier's, who has alike fought in Egypt and Siberia. Her venerable bows looked bearded. Her masts--cut somewhere on the coast of Japan, where her original ones were lost overboard in a gale--her masts stood stiffly up like the spines of the three old kings of Cologne. Her ancient decks were worn and wrinkled, like the pilgrim-worshipped flag-stone in Canterbury Cathedral where Becket bled. But to all these her old antiquities, were added new and marvellous features, pertaining to the wild business that for more than half a century she had followed. Old


Moby Dick
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from De Profundis by Oscar Wilde:

and struggles, been able to comprehend some of the lessons hidden in the heart of pain. Clergymen and people who use phrases without wisdom sometimes talk of suffering as a mystery. It is really a revelation. One discerns things one never discerned before. One approaches the whole of history from a different standpoint. What one had felt dimly, through instinct, about art, is intellectually and emotionally realised with perfect clearness of vision and absolute intensity of apprehension.

I now see that sorrow, being the supreme emotion of which man is capable, is at once the type and test of all great art. What the artist is always looking for is the mode of existence in which soul

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

slipped into the launching tube. But for some reason or other the missile jambed.

The situation was desperate. In a few seconds the bomb would burst and shatter the airship. The bomb-thrower grabbed a tool and climbing into the rigging below hacked away at the bomb- throwing tube until the whole equipment was cut adrift and fell clear of the vessel. Almost instantly there was a terrific explosion in mid-air. The blast of air caused the vessel to roll and pitch in a disconcerting manner, but as the airman permitted the craft to continue its upward course unchecked, she soon steadied herself and was brought under control once more.