| The first excerpt represents the past or something you must release, and is drawn from The Snow Image by Nathaniel Hawthorne: will see how very beautiful she is; but papa will say, 'Tush!
nonsense!--come in out of the cold!' "
"Let us call mamma to look out," said Peony; and then he shouted
lustily, "Mamma! mamma!! mamma!!! Look out, and see what a nice
'ittle girl we are making!"
The mother put down her work for an instant, and looked out of
the window. But it so happened that the sun--for this was one of
the shortest days of the whole year--had sunken so nearly to the
edge of the world that his setting shine came obliquely into the
lady's eyes. So she was dazzled, you must understand, and could
not very distinctly observe what was in the garden. Still,
 The Snow Image |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Collection of Beatrix Potter by Beatrix Potter: with the taste of
the macintosh, that in less
than half a minute it spat him
out again; and the only thing
it swallowed was Mr. Jeremy's
goloshes.
MR. JEREMY bounced up
to the surface of the
water, like a cork and the
bubbles out of a soda water
bottle; and he swam with
|
The third excerpt represents the future or something you must embrace, and is drawn from The Fall of the House of Usher by Edgar Allan Poe: the utter simplicity, by the nakedness of his designs, he
arrested and overawed attention. If ever mortal painted an idea,
that mortal was Roderick Usher. For me at least--in the
circumstances then surrounding me--there arose out of the pure
abstractions which the hypochondriac contrived to throw upon his
canvas, an intensity of intolerable awe, no shadow of which felt
I ever yet in the contemplation of the certainly glowing yet too
concrete reveries of Fuseli.
One of the phantasmagoric conceptions of my friend,
partaking not so rigidly of the spirit of abstraction, may be
shadowed forth, although feebly, in words. A small picture
 The Fall of the House of Usher |