| The first excerpt represents the past or something you must release, and is drawn from The Three Taverns by Edwin Arlington Robinson: And save the furniture; I think of you,
And am forlorn, finding in you the one
To lavish aspirations and illusions
Upon a faded and forsaken house
Where love, being locked alone, was nigh to burning
House and himself together. Yes, you are strange,
To see in such an injured architecture
Room for new love to live in. Are you laughing?
No? Well, you are not crying, as you should be.
Tears, even if they told only gratitude
For your escape, and had no other story,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Heritage of the Desert by Zane Grey: up."
"Snap, he's right," put in Holdemess, smoothly. "You needn't be so
touchy about Mescal. She's showed what little use she's got for you. If
you must rope her around like you do a mustang, be easy about it. Let's
have supper. Now, Mescal, you sit here on the bench and behave yourself.
I don't want you shooting up my camp."
Snap turned sullenly aside while Holderness seated Mescal near the door
and fetched her food and drink. The rustlers squatted round the
camp-fire, and conversation ceased in the business of the meal.
To Hare the scene had brought a storm of emotions. Joy at the sight of
Mescal, blessed relief to see her unscathed, pride in her fighting
 The Heritage of the Desert |
The third excerpt represents the future or something you must embrace, and is drawn from Louis Lambert by Honore de Balzac: and coming; only a man can know that deep delight. Your least
movement gives me greater pleasure than a mother even can feel as
she sees her child asleep or at play. I love you with every kind
of love in one. The grace of your least gesture is always new to
me. I fancy I could spend whole nights breathing your breath; I
would I could steal into every detail of your life, be the very
substance of your thoughts--be your very self.
"Well, we shall, at any rate, never part again! No human alloy
shall ever disturb our love, infinite in its phases and as pure as
all things are which are One--our love, vast as the sea, vast as
the sky! You are mine! all mine! I may look into the depths of
 Louis Lambert |