| The first excerpt represents the past or something you must release, and is drawn from Maggie: A Girl of the Streets by Stephen Crane: no trouble. See? Youse fellers er lookin' fer a scrap an' it's
damn likely yeh'll fin' one if yeh keeps on shootin' off yer mout's.
I know yehs! See? I kin lick better men dan yehs ever saw in yer lifes.
Dat's right! See? Don' pick me up fer no stuff er yeh might be jolted
out in deh street before yeh knows where yeh is. When I comes from behind
dis bar, I t'rows yehs bote inteh deh street. See?"
"Oh, hell," cried the two men in chorus.
The glare of a panther came into Pete's eyes. "Dat's what I said!
Unnerstan'?"
He came through a passage at the end of the bar and swelled down upon
the two men. They stepped promptly forward and crowded close to him.
Maggie: A Girl of the Streets |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from King Henry VI by William Shakespeare: To your obedience fifty fortresses,
Twelve cities and seven walled towns of strength,
Beside five hundred prisoners of esteem,
Lets fall his sword before your highness' feet,
And with submissive loyalty of heart
Ascribes the glory of his conquest got
First to my God and next unto your grace. [Kneels.]
KING.
Is this the Lord Talbot, uncle Gloucester,
That hath so long been resident in France?
GLOUCESTER.
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The third excerpt represents the future or something you must embrace, and is drawn from Pericles by William Shakespeare: [Enter ANTIOCHUS, PRINCE PERICLES, and followers.]
ANTIOCHUS.
Young prince of Tyre, you have at large received
The danger of the task you undertake.
PERICLES.
I have, Antiochus, and, with a soul
Embolden'd with the glory of her praise,
Think death no hazard in this enterprise.
ANTIOCHUS.
Bring in our daughter, clothed like a bride,
For the embracements even of Jove himself;
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