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Today's Stichomancy for Pol Pot

The first excerpt represents the past or something you must release, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

anticipated, that first encounter with the population of the Country of the Blind. The place seemed larger as he drew near to it, and the smeared plasterings queerer, and a crowd of children and men and women (the women and girls he was pleased to note had, some of them, quite sweet faces, for all that their eyes were shut and sunken) came about him, holding on to him, touching him with soft, sensitive hands, smelling at him, and listening at every word he spoke. Some of the maidens and children, however, kept aloof as if afraid, and indeed his voice seemed coarse and rude beside their softer notes. They mobbed him. His three guides kept close to him with an effect of proprietorship, and said again and

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

and not another man more sophisticated.

Had you really paid court to Olga's heart I am afraid that there would have been no hope for either of you.

She asked me to tell you that Nikolas had left France. She paid him twenty thousand francs to go away, and stay. She is congratulating herself that she got rid of him before he tried to carry out a threat he recently made her that he should kill you at the first opportunity. She said that she should hate to think that her brother's blood was on your hands, for she is very fond of you, and made no bones in saying so before the count. It never for a moment seemed to


The Return of Tarzan
The third excerpt represents the future or something you must embrace, and is drawn from The Duchess of Padua by Oscar Wilde:

And if it be my will you walk abroad, Why, you shall take the air from morn to night.

DUCHESS

Sir, by what right -?

DUKE

Madam, my second Duchess Asked the same question once: her monument Lies in the chapel of Bartholomew, Wrought in red marble; very beautiful. Guido, your arm. Come, gentlemen, let us go And spur our falcons for the mid-day chase.