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Today's Stichomancy for Rebecca Gayheart

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Charmides by Plato:

the more definite language of modern philosophy. And he must not allow discordant elements to enter into the work. For example, in translating Plato, it would equally be an anachronism to intrude on him the feeling and spirit of the Jewish or Christian Scriptures or the technical terms of the Hegelian or Darwinian philosophy.

(7) As no two words are precise equivalents (just as no two leaves of the forest are exactly similar), it is a mistaken attempt at precision always to translate the same Greek word by the same English word. There is no reason why in the New Testament (Greek) should always be rendered 'righteousness,' or (Greek) 'covenant.' In such cases the translator may be allowed to employ two words--sometimes when the two meanings occur in

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Merry Men by Robert Louis Stevenson:

He looked at me darkly and crossed himself.

'Too well,' he said, 'it was there that one of my comrades sold himself to Satan; the Virgin shield us from temptations! He has paid the price; he is now burning in the reddest place in Hell!'

A fear came upon me; I could answer nothing; and presently the man resumed, as if to himself: 'Yes,' he said, 'O yes, I know it. I have passed its doors. There was snow upon the pass, the wind was driving it; sure enough there was death that night upon the mountains, but there was worse beside the hearth. I took him by the arm, Senor, and dragged him to the gate; I conjured him, by all he loved and respected, to go forth with me; I went on my knees

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Democracy In America, Volume 1 by Alexis de Toqueville:

consciousness of its authority which would prompt it to interfere in these matters; it knows the extent of its natural powers, but it is unacquainted with the increased resources which the art of government might furnish.

This point deserves attention, for if a democratic republic similar to that of the United States were ever founded in a country where the power of a single individual had previously subsisted, and the effects of a centralized administration had sunk deep into the habits and the laws of the people, I do not hesitate to assert, that in that country a more insufferable despotism would prevail than any which now exists in the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

against the blue sky. They shouted and gesticulated, pointing at him. The captain had drawn his pistol, but did not fire; the others were unarmed. Their movements were grotesque and horrible, their forms gigantic.

Suddenly he heard a sharp report and something struck the water smartly within a few inches of his head, spattering his face with spray. He heard a second report, and saw one of the sentinels with his rifle at his shoulder, a light cloud of blue smoke rising from the muzzle. The man in the water saw the eye of the man on the bridge gazing into his own through the sights of the rifle. He observed that it was a


An Occurrence at Owl Creek Bridge