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Today's Stichomancy for Rebecca Romijn

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Passionate Pilgrim by William Shakespeare:

Youth like summer morn, age like winter weather; Youth like summer brave, age like winter bare; Youth is full of sport, age's breath is short; Youth is nimble, age is lame; Youth is hot and bold, age is weak and cold; Youth is wild, and age is tame. Age, I do abhor thee; youth, I do adore thee; O, my love, my love is young! Age, I do defy thee: O, sweet shepherd, hie thee, For methinks thou stay'st too long.

XIII.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Jerusalem Delivered by Torquato Tasso:

Who parts that night; such haste had she to ride.

LXXIX The conqueress departs, and with her led These prisoners, whom love would captive keep, The hearts of those she left behind her bled, With point of sorrow's arrow pierced deep. But when the night her drowsy mantle spread, And filled the earth with silence, shade and sleep, In secret sort then each forsook his tent, And as blind Cupid led them blind they went.

LXXX

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Facino Cane by Honore de Balzac:

But neither the faces, nor the wedding, nor the wedding-guests have anything to do with my story. Simply bear them in mind as the odd setting to it. Try to realize the scene, the shabby red-painted wineshop, the smell of wine, the yells of merriment; try to feel that you are really in the faubourg, among old people, working men and poor women giving themselves up to a night's enjoyment.

The band consisted of a fiddle, a clarionet, and a flageolet from the Blind Asylum. The three were paid seven francs in a lump sum for the night. For the money, they gave us, not Beethoven certainly, nor yet Rossini; they played as they had the will and the skill; and every one in the room (with charming delicacy of feeling) refrained from finding

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Breaking Point by Mary Roberts Rinehart:

had happened since to change her conviction. She seldom so much as glanced at the congregation. During her slow progress up and down the main aisle behind the Courtney boy, who was still a soprano and who carried the great gold cross, she always looked straight ahead. Or rather, although she was unconscious of this, slightly up. She always looked up when she sang, for she had commenced to take singing lessons when the piano music rack was high above her head.

So she still lifted her eyes as she went up the aisle, and was extremely serious over the whole thing. Because it is a solemn matter to take a number of people who have been up to that moment


The Breaking Point