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Today's Stichomancy for Rebecca Romijn

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Walden by Henry David Thoreau:

eat need not work. I wonder how much they have reaped. Who would live there where a body can never think for the barking of Bose? And oh, the housekeeping! to keep bright the devil's door-knobs, and scour his tubs this bright day! Better not keep a house. Say, some hollow tree; and then for morning calls and dinner-parties! Only a woodpecker tapping. Oh, they swarm; the sun is too warm there; they are born too far into life for me. I have water from the spring, and a loaf of brown bread on the shelf. -- Hark! I hear a rustling of the leaves. Is it some ill-fed village hound yielding to the instinct of the chase? or the lost pig which is said to be in these woods, whose tracks I saw after the rain? It comes on apace; my


Walden
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Straight Deal by Owen Wister:

During May, 1918, I thought we made a mistake to hate England. I said so at the earliest opportunity. Again came the yeas and nays. You shall see some of these. They are of help. Time has not settled this question. It is as alive as ever--more alive than ever. What if the Armistice was premature? What if Germany absorb Russia and join Japan? What if the League of Nations break like a toy?

Yeas and nays are put here without the consent of their writers, whose names, of course, do not appear, and who, should they ever see this, are begged to take no offense. None is intended.

There is no intention except to persuade, if possible, a few readers, at least, that hatred of England is not wise, is not justified to-day, and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

was that, instead of having been forced to reveal his own secret, he had succeeded, almost by chance, in wresting a secret from his friend! How much that strange confession explained to him! The painter's absurd fits of jealousy, his wild devotion, his extravagant panegyrics, his curious reticences-- he understood them all now, and he felt sorry. There seemed to him to be something tragic in a friendship so coloured by romance.

He sighed and touched the bell. The portrait must be hidden away at all costs. He could not run such a risk of discovery again. It had been mad of him to have allowed the thing to remain,


The Picture of Dorian Gray
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

In one of the pictures "a beautiful maiden, in the bright moonlight, came beneath the trees." This is evidently contrary to Chinese ideas of propriety, for the Classic for girls tells us that a maiden should not go out at night except in company with a servant bearing a lantern. As it was bright moonlight, however, let us hope she was excusable. This sauntering about in the court is not uncommon if we believe what the books say, for in the next picture we are told that: