| The first excerpt represents the past or something you must release, and is drawn from Father Damien by Robert Louis Stevenson: horrors, toiled and rotted in that pigsty of his under the cliffs
of Kalawao - you, the elect who would not, were the last man on
earth to collect and propagate gossip on the volunteer who would
and did.
I think I see you - for I try to see you in the flesh as I write
these sentences - I think I see you leap at the word pigsty, a
hyperbolical expression at the best. "He had no hand in the
reforms," he was "a coarse, dirty man"; these were your own words;
and you may think it possible that I am come to support you with
fresh evidence. In a sense, it is even so. Damien has been too
much depicted with a conventional halo and conventional features;
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Apology by Plato: Xenophon, who belongs to an entirely different class of writers. The
Apology of Plato is not the report of what Socrates said, but an elaborate
composition, quite as much so in fact as one of the Dialogues. And we may
perhaps even indulge in the fancy that the actual defence of Socrates was
as much greater than the Platonic defence as the master was greater than
the disciple. But in any case, some of the words used by him must have
been remembered, and some of the facts recorded must have actually
occurred. It is significant that Plato is said to have been present at the
defence (Apol.), as he is also said to have been absent at the last scene
in the Phaedo. Is it fanciful to suppose that he meant to give the stamp
of authenticity to the one and not to the other?--especially when we
|
The third excerpt represents the future or something you must embrace, and is drawn from Modeste Mignon by Honore de Balzac: she subpoenaed God for the third time she firmly believed that the
Elect of her dreams was within the church, hiding, perhaps out of
delicacy, behind one of the pillars, round all of which she dragged
Madame Latournelle on a tour of inspection. After this failure, she
deposed the Deity from omnipotence. Many were her conversations with
the imaginary lover, for whom she invented questions and answers,
bestowing upon him a great deal of wit and intelligence.
The high ambitions of her heart hidden within these romances were the
real explanation of the prudent conduct which the good people who
watched over Modeste so much admired; they might have brought her any
number of young Althors or Vilquins, and she would never have stooped
Modeste Mignon |
