| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Commission in Lunacy by Honore de Balzac: had a mouth to whose lips divine kindness lent its sweetness. They
were wholesome, full, red lips, finely wrinkled, sinuous, mobile, by
which nature had given expression to noble feelings; lips which spoke
to the heart and proclaimed the man's intelligence and lucidity, a
gift of second-sight, and a heavenly temper; and you would have judged
him wrongly from looking merely at his sloping forehead, his fireless
eyes, and his shambling gait. His life answered to his countenance; it
was full of secret labor, and hid the virtue of a saint. His superior
knowledge of law proved so strong a recommendation at a time when
Napoleon was reorganizing it in 1808 and 1811, that, by the advice of
Cambaceres, he was one of the first men named to sit on the Imperial
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Call of the Canyon by Zane Grey: When the train rounded a curve Carley's strained vision became filled with
the upheaved bulk of the San Francisco Mountains. Ragged gray grass slopes
and green forests on end, and black fringed sky lines, all pointed to the
sharp clear peaks spearing the sky. And as she watched, the peaks slowly
flushed with sunset hues, and the sky flared golden, and the strength of
the eternal mountains stood out in sculptured sublimity. Every day for two
months and more Carley had watched these peaks, at all hours, in every
mood; and they had unconsciously become a part of her thought. The train
was relentlessly whirling her eastward. Soon they must become a memory.
Tears blurred her sight. Poignant regret seemed added to the anguish she
was suffering. Why had she not learned sooner to see the glory of the
The Call of the Canyon |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Land of Footprints by Stewart Edward White: wide for desirable heads; and the meat waited upon the
acquisition of the trophy.
This, then, might be called our first Shooting Camp. Heretofore
we had travelled every day. Now the boys settled down to what the
native porter considers the height of bliss: a permanent camp
with plenty to eat. Each morning we were off before daylight,
riding our horses, and followed by the gunbearers, the syces, and
fifteen or twenty porters. The country rose from the river in a
long gentle slope grown with low brush and scattered candlestick
euphorbias. This slope ended in a scattered range of low rocky
buttes. Through any one of the various openings between them, we
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The House of Dust by Conrad Aiken: The minds of those we know,--to enter softly,
And steal from floor to floor up shadowy stairways,
From room to quiet room, from wall to wall,
Breathing deliberately the very air,
Pressing our hands and nerves against warm darkness
To learn what ghosts are there,--
Suppose for once I set my doors wide open
And bid you in. . . .Suppose I try to tell you
The secrets of this house, and how I live here;
Suppose I tell you who I am, in fact. . . .
Deceiving you--as far as I may know it--
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