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The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from The Voyage Out by Virginia Woolf: There were also one or two portraits of fathers and grandmothers,
and an engraving of John Stuart Mill, after the picture by Watts.
It was a room without definite character, being neither typically
and openly hideous, nor strenuously artistic, nor really comfortable.
Rachel roused herself from the contemplation of this familiar
picture.
"But this isn't very interesting for you," she said, looking up.
"Good Lord!" Hewet exclaimed. "I've never been so much interested
in my life." She then realised that while she had been thinking
of Richmond, his eyes had never left her face. The knowledge
of this excited her.
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