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Today's Stichomancy for Ringo Starr

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mountains by Stewart Edward White:

East would rank as macadam roads; horse-trails that would compare favorably with our best bridle-paths; foot-trails in the fur country worn by constant use as smooth as so many garden-walks. Then again there are other arrangements. I have heard a mule-driver overwhelmed with skeptical derision because he claimed to have upset but six times in traversing a certain bit of trail not over five miles long; in charts of the mountains are marked many trails which are only "ways through,"--you will find few traces of predecessors; the same can be said of trails in the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard:

sea-bath while pulling Aunt Eliza to and fro in the surf. Nothing in the life around me stirred me, nothing in nature attracted me. I liked the fog; somehow it seemed to emanate from me instead of rolling up from the ocean, and to represent me. Whether I went alone or not, the coachman was ordered to drive a certain round; after that I could extend the ride in whatever direction I pleased, but I always said, "Anywhere, William." One afternoon, which happened to be a bright one, I was riding on the road which led to the glen, when I heard the screaming of a flock of geese which were waddling across the path in front of the horses. I started, for I was asleep probably, and, looking forward, saw the Uxbridge

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Ruling Passion by Henry van Dyke:

be kept well oiled, and the weight must never get out of order. The clock-face will tell you when it is running right. If anything gets hitched up here's the crank to keep it going until you can straighten the machine again. It's easy enough to turn it. But you must never let it stop between dark and daylight. The regular turn once a minute--that's the mark of this light. If it shines steady it might as well be out. Yes, better! Any vessel coming along here in a dirty night and seeing a fixed light would take it for the Cap Loup-Marin and run ashore. This particular light has got to revolve once a minute every night from April first to December tenth, certain. Can you do it?"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hidden Masterpiece by Honore de Balzac:

kindly invitation to come and visit him.

*****

Nicolas Poussin returned slowly towards the Rue de la Harpe and passed, without observing that he did so, the modest hostelry where he was lodging. Returning presently upon his steps, he ran up the miserable stairway with anxious rapidity until he reached an upper chamber nestling between the joists of a roof "en colombage,"--the plain, slight covering of the houses of old Paris. Near the single and gloomy window of the room sat a young girl, who rose quickly as the door opened, with a gesture of love; she had recognized the young man's touch upon the latch.