| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fantastic Fables by Ambrose Bierce: Herdsman.
"I thank you, good deities," said the Herdsman, continuing his
prayer, "for showing me the thief. And now if you will take him
away, I will stand another goat."
The Man and the Viper
A MAN finding a frozen Viper put it into his bosom.
"The coldness of the human heart," he said, with a grin, "will keep
the creature in his present condition until I can reach home and
revive him on the coals."
But the pleasures of hope so fired his heart that the Viper thawed,
and sliding to the ground thanked the Man civilly for his
 Fantastic Fables |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Troll Garden and Selected Stories by Willa Cather: immediately excused herself As she left, Hamilton turned to Miss
Broadwood with a rather spiritless smile.
"Well, Jimmy," he remarked, "I brought up a piano box full
of fireworks for the boys. How do you suppose we'll manage to
keep them until the Fourth?"
"We can't, unless we steel ourselves to deny there are any on the
premises," said Miss Broadwood, seating herself on a low stool by
Hamilton's chair and leaning back against the mantel. "Have you
seen Helen, and has she told you the tragedy of the tooth?"
"She met me at the station, with her tooth wrapped up in
tissue paper. I had tea with her an hour ago. Better sit down,
 The Troll Garden and Selected Stories |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Puck of Pook's Hill by Rudyard Kipling: Una nodded - most of her talk was by nods - and they
crept from the gloom of the tunnels towards the tiny weir
that turns the brook into the mill-stream. Here the banks
are low and bare, and the glare of the afternoon sun
on the Long Pool below the weir makes your eyes ache.
When they were in the open they nearly fell down
with astonishment. A huge grey horse, whose tail-hairs
crinkled the glassy water, was drinking in the pool, and
the ripples about his muzzle flashed like melted gold. On
his back sat an old, white-haired man dressed in a loose
glimmery gown of chain-mail. He was bare-headed, and
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson: plant his lighthouse in the very camp of wreckers; and he was
continually enforced to the vicissitudes of outdoor life. The
joy of my grandfather in this career was strong as the love of
woman. It lasted him through youth and manhood, it burned
strong in age, and at the approach of death his last yearning
was to renew these loved experiences. What he felt himself he
continued to attribute to all around him. And to this
supposed sentiment in others I find him continually, almost
pathetically, appealing; often in vain.
Snared by these interests, the boy seems to have become
almost at once the eager confidant and adviser of his new
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