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Today's Stichomancy for Robert De Niro

The first excerpt represents the past or something you must release, and is drawn from Alcibiades I by Plato:

Amestris, the wife of Xerxes and mother of Artaxerxes, and say to her, There is a certain Dinomache, whose whole wardrobe is not worth fifty minae--and that will be more than the value--and she has a son who is possessed of a three-hundred acre patch at Erchiae, and he has a mind to go to war with your son--would she not wonder to what this Alcibiades trusts for success in the conflict? 'He must rely,' she would say to herself, 'upon his training and wisdom--these are the things which Hellenes value.' And if she heard that this Alcibiades who is making the attempt is not as yet twenty years old, and is wholly uneducated, and when his lover tells him that he ought to get education and training first, and then go and fight the king, he refuses, and says that he is well enough as he is, would

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Where There's A Will by Mary Roberts Rinehart:

complication I was dead as yesterday's newspaper. I sat there on the floor with my hands around my knees, thinking what to do next, and as I sat there, the crayon enlargement of father on the spring-house wall began to shake its head from side to side, and then I saw it hold out its hand and point a finger at me.

"Cut and run, Minnie," it said. "Get out from under! Go and buy Timmon's candy store before the smash--the smash--!"

When I opened my eyes Mr. Pierce was sitting on the other side of the chimney and staring at the fire. He had a pipe between his teeth, but he wasn't smoking, and he had something of the same look about his mouth he'd had the first day I saw him.

The third excerpt represents the future or something you must embrace, and is drawn from Les Miserables by Victor Hugo:

might hide until he could find one where he might dwell.

Jean Valjean described many and varied labyrinths in the Mouffetard quarter, which was already asleep, as though the discipline of the Middle Ages and the yoke of the curfew still existed; he combined in various manners, with cunning strategy, the Rue Censier and the Rue Copeau, the Rue du Battoir-Saint-Victor and the Rue du Puits l'Ermite. There are lodging houses in this locality, but he did not even enter one, finding nothing which suited him. He had no doubt that if any one had chanced to be upon his track, they would have lost it.

As eleven o'clock struck from Saint-Etienne-du-Mont, he was


Les Miserables