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Today's Stichomancy for Robert Downey Jr.

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Underdogs by Mariano Azuela:

anything there. And it's worse to the left; the ascent is so dangerous that a second's hesitation means a fall down those rocks and a broken neck at the end of it. All right! A number of men from Moya's brigade who went down to the meadow decided to attack the enemy's trenches the first chance they got. The bullets whizzed about us, the battle raged on all sides. For a time they stopped firing, so we thought they were being attacked from behind. We stormed their trenches--look, partner, look at that meadow! It's thick with corpses! Their machine guns did that for us. They mowed us down like wheat; only a hand-


The Underdogs
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson:

And the stars going round in my head.

XXII Marching Song

Bring the comb and play upon it! Marching, here we come! Willie cocks his highland bonnet, Johnnie beats the drum.

Mary Jane commands the party, Peter leads the rear; Feet in time, alert and hearty, Each a Grenadier!


A Child's Garden of Verses
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Secret Sharer by Joseph Conrad:

at long intervals. And as usual he stared through the port. A breath of wind came now and again into our faces. The ship might have been moored in dock, so gently and on an even keel she slipped through the water, that did not murmur even at our passage, shadowy and silent like a phantom sea.

At midnight I went on deck, and to my mate's great surprise put the ship round on the other tack. His terrible whiskers flitted round me in silent criticism. I certainly should not have done it if it had been only a question of getting out of that sleepy gulf as quickly as possible. I believe he told the second mate, who relieved him,


The Secret Sharer
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Start in Life by Honore de Balzac:

"You've often started empty, and arrived full," said his porter, still by way of consolation.

"But no parcels! Twenty good Gods! What a fate!"

And Pierrotin sat down on one of the huge stone posts which protected the walls of the building from the wheels of the coaches; but he did so with an anxious, reflective air that was not habitual with him.

This conversation, apparently insignificant, had stirred up cruel anxieties which were slumbering in his breast. What could there be to trouble the heart of Pierrotin in a fine new coach? To shine upon "the road," to rival the Touchards, to magnify his own line, to carry passengers who would compliment him on the conveniences due to the