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Today's Stichomancy for Robert Frost

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Golden Threshold by Sarojini Naidu:

him, or to my mother, who always speaks to me in Hindustani. I don't think I had any special hankering to write poetry as a little child, though I was of a very fanciful and dreamy nature. My training under my father's eye was of a sternly scientific character. He was determined that I should be a great mathematician or a scientist, but the poetic instinct, which I inherited from him and also from my mother (who wrote some lovely Bengali lyrics in her youth) proved stronger. One day, when I was eleven, I was sighing over a sum in algebra: it WOULDN'T come right; but instead a whole poem came to me suddenly. I wrote it down.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Troll Garden and Selected Stories by Willa Cather:

chuckled quietly as he took a leather strap from his pocket and swung his valise around his shoulder. Then he settled his Panama securely on his head, turned up his trousers, tucked the flute case under his arm, and started off across the fields. He gave the town, as he would have said, a wide berth, and cut through a great fenced pasture, emerging, when he rolled under the barbed wire at the farther corner, upon a white dusty road which ran straight up from the river valley to the high prairies, where the ripe wheat stood yellow and the tin roofs and weathercocks were twinkling in the fierce sunlight. By the time Nils had done three miles, the sun was sinking and the farm wagons on their way home from town


The Troll Garden and Selected Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Timaeus by Plato:

that the story is far more likely to have been invented by Plato than to have been brought by Solon from Egypt. That is another part of his legend which Plato also seeks to impose upon us. The verisimilitude which he has given to the tale is a further reason for suspecting it; for he could easily 'invent Egyptian or any other tales' (Phaedrus). Are not the words, 'The truth of the story is a great advantage,' if we read between the lines, an indication of the fiction? It is only a legend that Solon went to Egypt, and if he did he could not have conversed with Egyptian priests or have read records in their temples. The truth is that the introduction is a mosaic work of small touches which, partly by their minuteness, and also by their seeming probability, win the confidence of the reader. Who

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Large Catechism by Dr. Martin Luther:

To this there is added the shameful vice and secret infection of security and satiety, that is, that many regard the Catechism as a poor, mean teaching, which they can read through at one time, and then immediately know it, throw the book into a corner, and be ashamed, as it were, to read in it again.

Yea, even among the nobility there may be found some louts and scrimps, who declare that there is no longer any need either of pastors or preachers; that we have everything in books, and every one can easily learn it by himself; and so they are content to let the parishes decay and become desolate, and pastors and preachers to suffer distress and hunger a plenty, just as it becomes crazy Germans to do.