| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Inland Voyage by Robert Louis Stevenson: hand in the game; your friends are fighting with the army. But in
a strange town, not small enough to grow too soon familiar, nor so
large as to have laid itself out for travellers, you stand so far
apart from the business, that you positively forget it would be
possible to go nearer; you have so little human interest around
you, that you do not remember yourself to be a man. Perhaps, in a
very short time, you would be one no longer. Gymnosophists go into
a wood, with all nature seething around them, with romance on every
side; it would be much more to the purpose if they took up their
abode in a dull country town, where they should see just so much of
humanity as to keep them from desiring more, and only the stale
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Padre Ignacio by Owen Wister: turning his back upon his room and his garden, rode down the canyon.
The vessel lay at anchor, and some one had landed from ha and was talking
with other men on the shore. Seeing the priest slowly coming, this
stranger approached to meet him.
"You are connected with the mission here?" he inquired.
"I--am."
"Perhaps it is with you that Gaston Villere stopped?"
"The young man from New Orleans? Yes. I am Padre Ignacio."
"Then you'll save me a journey. I promised him to deliver these into your
own hands."
The stranger gave them to him.
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