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Today's Stichomancy for Robert Frost

The first excerpt represents the past or something you must release, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson:

looked there came, I thought, a change--he seemed to swell-- his face became suddenly black and the features seemed to melt and alter--and the next moment, I had sprung to my feet and leaped back against the wall, my arms raised to shield me from that prodigy, my mind submerged in terror.

"O God!" I screamed, and "O God!" again and again; for there before my eyes--pale and shaken, and half fainting, and groping before him with his hands, like a man restored from death--there stood Henry Jekyll!

What he told me in the next hour, I cannot bring my mind to set on paper. I saw what I saw, I heard what I heard, and my soul


The Strange Case of Dr. Jekyll and Mr. Hyde
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Droll Stories, V. 1 by Honore de Balzac:

his heavy club, lifted it, brandished it and adjusted it so easily you could have thought it a bowl at a game of skittles, to bring it down upon the pale forehead of the said Rene, who knowing that he was greatly in fault towards his lord, remained placid, and stretching his neck, thought that he was about to expiate his sin for his sweetheart in this world and in the other.

But his fair youth, and all the natural seductions of this sweet crime, found grace before the tribunal of the heart of this old man, although Bruyn was still severe, and throwing his club away on to a dog who was catching beetles, he cried out, "May a thousand million claws, tear during all eternity, all the entrails of him, who made


Droll Stories, V. 1
The third excerpt represents the future or something you must embrace, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

repeated deeds of munificent yet unobtrusive charity, as well as in a passionate devotion to the intricacies, perhaps even more than to the orthodox and easily recognisable beauties of musical science. I had learned, too, the very remarkable fact, that the stem of the Usher race, all time-honoured as it was, had put forth, at no period, any enduring branch; in other words, that the entire family lay in the direct line of descent, and had always, with very trifling and very temporary variation, so lain. It was this deficiency, I considered, while running over in thought the perfect keeping of the character of the premises with the accredited character of the people, and while speculating


The Fall of the House of Usher