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Today's Stichomancy for Robert Oppenheimer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mirror of the Sea by Joseph Conrad:

helplessly, "Rita, you are the death of me!" were enough to make one (if young and free from cares) split one's sides laughing. She had an uncle still living, a very effective Carlist, too, the priest of a little mountain parish in Guipuzcoa. As the sea-going member of the syndicate (whose plans depended greatly on Dona Rita's information), I used to be charged with humbly affectionate messages for the old man. These messages I was supposed to deliver to the Arragonese muleteers (who were sure to await at certain times the Tremolino in the neighbourhood of the Gulf of Rosas), for faithful transportation inland, together with the various unlawful goods landed secretly from under the Tremolino's hatches.


The Mirror of the Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dust by Mr. And Mrs. Haldeman-Julius:

old prude, too. Anyone could see with half an eye that she didn't like the idea of Uncle Martin learning to dance--why, she didn't even like his getting the Victrola--when it was just what both he and Bill had been wanting. But for all that she was her aunt, her own mother's sister and, poor dear, she was a good soul. It would probably upset her awfully and besides, oh well, it just wasn't right.

Before her mirror Rose blushed furiously, quite ashamed of the light way in which she had been leading Uncle Martin on. "But I haven't said one solitary thing auntie couldn't have heard," she justified herself. Oh, well, no harm had been done. But she

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In a German Pension by Katherine Mansfield:

nothing like young society."

"But the child is dumb," ventured the manager apologetically.

"Bah! What does that matter? Afflicted children have such pretty ways."

Each guest who came into the breakfast-room was bombarded with the wonderful news. "The Baroness von Gall is sending her little daughter here; the Baroness herself is coming in a month's time." Coffee and rolls took on the nature of an orgy. We positively scintillated. Anecdotes of the High Born were poured out, sweetened and sipped: we gorged on scandals of High Birth generously buttered.

"They are to have the room next to yours," said the manager, addressing me. "I was wondering if you would permit me to take down the portrait of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Voyage to Arcturus by David Lindsay:

"But what will come of it, Maskull? What will she give you? Sweet, fainting, white-armed, feminine voluptuousness?"

Maskull coolly drank another cup. "And why should she give all that to a passerby?"

"Well, as a matter of fact, she hasn't it to give. No, what she will give you, and what you'll accept from her, because you can't help it, is - anguish, insanity, possibly death."

"You may be talking sense, but it sounds like raving to me. Why should I accept insanity and death?"

"Because your passion will force you to."

"What about yourself?" Maskull asked, biting his nails.