| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac: of the consciousness between two beings of whom one will be the dupe
of the other, though it keeps on this side of wickedness; one of those
dark and comic dramas to which that of Tartuffe is mere child's play,
--dramas that do not enter the scenic domain, although they are
natural, conceivable, and even justifiable by necessity; dramas which
may be characterized as not vice, only the other side of it.
The princess began by sending for d'Arthez's books, of which she had
never, as yet, read a single word, although she had managed to
maintain a twenty minutes' eulogism and discussion of them without a
blunder. She now read them all. Then she wanted to compare these books
with the best that contemporary literature had produced. By the time
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Master of Ballantrae by Robert Louis Stevenson: It was on him the burthen fell. How was he to respond to the
public advances of one who never lost a chance of gibing him in
private? How was he to smile back on the deceiver and the
insulter? He was condemned to seem ungracious. He was condemned
to silence. Had he been less proud, had he spoken, who would have
credited the truth? The acted calumny had done its work; my lord
and Mrs. Henry were the daily witnesses of what went on; they could
have sworn in court that the Master was a model of long-suffering
good-nature, and Mr. Henry a pattern of jealousy and thanklessness.
And ugly enough as these must have appeared in any one, they seemed
tenfold uglier in Mr. Henry; for who could forget that the Master
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