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Today's Stichomancy for Robert Redford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Man against the Sky by Edwin Arlington Robinson:

One disaffects him, and the other fails him; Whatso he drinks that has an antic in it, He's wondering what's to pay in his insides; And while his eyes are on the Cyprian He's fribbling all the time with that damned House. We laugh here at his thrift, but after all It may be thrift that saves him from the devil; God gave it, anyhow, -- and we'll suppose He knew the compound of his handiwork. To-day the clouds are with him, but anon He'll out of 'em enough to shake the tree

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

unconsciously. In his monster craft the resistance to the air is reduced to a remarkable degree, which explains why these vessels, despite all their other defects are able to show such a turn of speed.

It was this feature of the Zeppelin which induced Great Britain to build the May-fly and which likewise induced the French Government to stimulate dirigible design and construction among native manufacturers, at the same time, however, insisting that such craft should be equal at least in speed to the Zeppelins. The response to this invitation was the Spiess, which with its speed of 45 miles per hour ranked, until 1914, as one of the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Glasses by Henry James:

relations and complications it was no mission of mine to bring about. If they were to develop they should develop in their very own sense.

Let me say at once that they did develop and that I perhaps after all had something to do with it. If Mr. Dawling had departed without a fresh appointment he was to reappear six months later under protection no less powerful than that of our young lady herself. I had seen her repeatedly for months: she had grown to regard my studio as the temple of her beauty. This miracle was recorded and celebrated there as nowhere else; in other places there was occasional reference to other subjects of remark. The

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

to know that this is a symptom of love and I certainly did not love this filthy little barbarian with her broken, unkempt nails and her skin so besmeared with mud and the green of crushed foliage that it was difficult to say what color it originally had been. But if she was outwardly uncouth, her clear eyes and strong white, even teeth, her silvery laugh and her queenly carriage, bespoke an innate fineness which dirt could not quite successfully conceal.

The sun was low in the heavens when we came upon a little river which emptied into a large bay at the foot of low cliffs. Our journey so far had been beset with constant danger, as is


The People That Time Forgot