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Today's Stichomancy for Ron Howard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

of old Peru and of its lost philosophy. Generation followed generation. They forgot many things; they devised many things. Their tradition of the greater world they came from became mythical in colour and uncertain. In all things save sight they were strong and able, and presently chance sent one who had an original mind and who could talk and persuade among them, and then afterwards another. These two passed, leaving their effects, and the little community grew in numbers and in understanding, and met and settled social and economic problems that arose. Generation followed generation. Generation followed generation. There came a time when a child was born who was fifteen generations from that

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sense and Sensibility by Jane Austen:

or to encourage their advances; and to the invariable coldness of her behaviour towards them, which checked every endeavour at intimacy on their side, Elinor principally attributed that preference of herself which soon became evident in the manners of both, but especially of Lucy, who missed no opportunity of engaging her in conversation, or of striving to improve their acquaintance by an easy and frank communication of her sentiments.

Lucy was naturally clever; her remarks were often just and amusing; and as a companion for half an hour Elinor frequently found her agreeable; but her powers


Sense and Sensibility
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Jungle by Upton Sinclair:

hopes came crashing about their ears.--And all the time the old woman was going on talking. They wished that she would be still; her voice sounded like the croaking of some dismal raven. Jurgis sat with his hands clenched and beads of perspiration on his forehead, and there was a great lump in Ona's throat, choking her. Then suddenly Teta Elzbieta broke the silence with a wail, and Marija began to wring her hands and sob, "Ai! Ai! Beda man!"

All their outcry did them no good, of course. There sat Grandmother Majauszkiene, unrelenting, typifying fate. No, of course it was not fair, but then fairness had nothing to do with it. And of course they had not known it. They had not been intended to know it. But it was in the deed,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from War and Peace by Leo Tolstoy:

still falling from the trees. Near the watchman's hut the black shapes of the Cossacks' shanties and of horses tethered together could be seen. Behind the hut the dark shapes of the two wagons with their horses beside them were discernible, and in the hollow the dying campfire gleamed red. Not all the Cossacks and hussars were asleep; here and there, amid the sounds of falling drops and the munching of the horses near by, could be heard low voices which seemed to be whispering.

Petya came out, peered into the darkness, and went up to the wagons. Someone was snoring under them, and around them stood saddled horses munching their oats. In the dark Petya recognized his own horse, which


War and Peace