The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Jungle by Upton Sinclair: hopes came crashing about their ears.--And all the time the old woman
was going on talking. They wished that she would be still; her voice
sounded like the croaking of some dismal raven. Jurgis sat with his
hands clenched and beads of perspiration on his forehead, and there was
a great lump in Ona's throat, choking her. Then suddenly Teta Elzbieta
broke the silence with a wail, and Marija began to wring her hands and
sob, "Ai! Ai! Beda man!"
All their outcry did them no good, of course. There sat Grandmother
Majauszkiene, unrelenting, typifying fate. No, of course it was not fair,
but then fairness had nothing to do with it. And of course they had not
known it. They had not been intended to know it. But it was in the deed,
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from War and Peace by Leo Tolstoy: still falling from the trees. Near the watchman's hut the black shapes
of the Cossacks' shanties and of horses tethered together could be
seen. Behind the hut the dark shapes of the two wagons with their
horses beside them were discernible, and in the hollow the dying
campfire gleamed red. Not all the Cossacks and hussars were asleep;
here and there, amid the sounds of falling drops and the munching of
the horses near by, could be heard low voices which seemed to be
whispering.
Petya came out, peered into the darkness, and went up to the wagons.
Someone was snoring under them, and around them stood saddled horses
munching their oats. In the dark Petya recognized his own horse, which
 War and Peace |