| The first excerpt represents the past or something you must release, and is drawn from Father Sergius by Leo Tolstoy: Kasatsky did not belong to the first two sets, but was readily
welcomed in the others. On entering society he determined to
have relations with some society lady, and to his own surprise
quickly accomplished this purpose. He soon realized, however,
that the circles in which he moved were not the highest, and that
though he was received in the highest spheres he did not belong
to them. They were polite to him, but showed by their whole
manner that they had their own set and that he was not of it.
And Kasatsky wished to belong to that inner circle. To attain
that end it would be necessary to be an aide-de-camp to the
Emperor--which he expected to become--or to marry into that
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin: was intended: twenty instantly answered, "intense fright" or "horror;"
three said pain, and one extreme discomfort. Dr. Duchenne has given
another photograph of the same old man, with the platysma contracted,
the eyes and mouth opened, and the eyebrows rendered oblique,
by means of galvanism. The expression thus induced is very striking
(see Plate VII. fig. 2); the obliquity of the eyebrows adding the appearance
of great mental distress. The original was shown to fifteen persons;
twelve answered terror or horror, and three agony or great suffering.
From these cases, and from an examination of the other photographs given
by Dr. Duchenne, together with his remarks thereon, I think there can
be little doubt that the contraction of the platysma does add greatly
 Expression of Emotion in Man and Animals |
The third excerpt represents the future or something you must embrace, and is drawn from Crito by Plato: undertakes the defence of his friend and master in this particular, not to
the Athenians of his day, but to posterity and the world at large.
Whether such an incident ever really occurred as the visit of Crito and the
proposal of escape is uncertain: Plato could easily have invented far more
than that (Phaedr.); and in the selection of Crito, the aged friend, as the
fittest person to make the proposal to Socrates, we seem to recognize the
hand of the artist. Whether any one who has been subjected by the laws of
his country to an unjust judgment is right in attempting to escape, is a
thesis about which casuists might disagree. Shelley (Prose Works) is of
opinion that Socrates 'did well to die,' but not for the 'sophistical'
reasons which Plato has put into his mouth. And there would be no
|